{"title":"Liturgia","description":null,"products":[{"product_id":"rubricas-do-missal-de-62-bilingue-e-colorido","title":"Rubricas do Missal de 62 - Bilíngue e Colorido","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}\n.cdb-editorial strong{font-weight:500!important}\n.cdb-editorial-intro{max-width:820px;margin:0 0 72px}\n.cdb-editorial-kicker{display:block;margin:0 0 18px;font-size:13px;line-height:1.4;font-weight:400!important;letter-spacing:.08em;text-transform:uppercase;color:var(--cdb-gray)}\n.cdb-editorial-title{margin:0;font-size:clamp(36px,5vw,58px);line-height:1.08;letter-spacing:-.045em;font-weight:300!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-lead{max-width:680px;margin:28px 0 0;font-size:18px;line-height:1.65;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-features{display:grid;grid-template-columns:repeat(3,minmax(0,1fr));gap:64px;margin:0 0 120px}\n.cdb-editorial-feature{margin:0;padding:0}\n.cdb-editorial-feature-number{display:block;margin-bottom:18px;font-size:13px;line-height:1;font-weight:400!important;letter-spacing:.08em;color:var(--cdb-light-gray)}\n.cdb-editorial-feature h3{margin:0 0 12px;font-size:20px;line-height:1.3;letter-spacing:-.02em;font-weight:400!important;text-align:left}\n.cdb-editorial-feature p{margin:0;font-size:15px;line-height:1.7;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-section{margin:0 0 120px}\n.cdb-editorial-section-header{max-width:820px;margin:0 0 52px}\n.cdb-editorial-section-label{display:block;margin:0 0 14px;font-size:12px;line-height:1.4;font-weight:400!important;letter-spacing:.1em;text-transform:uppercase;color:var(--cdb-light-gray)}\n.cdb-editorial-section-title{margin:0;font-size:clamp(28px,3.5vw,42px);line-height:1.15;letter-spacing:-.035em;font-weight:300!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-section-intro{max-width:700px;margin:22px 0 0;font-size:17px;line-height:1.7;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-points{display:grid;grid-template-columns:repeat(2,minmax(0,1fr));column-gap:80px;row-gap:64px;max-width:1000px}\n.cdb-editorial-point{margin:0;padding:0}\n.cdb-editorial-point h3{margin:0 0 12px;font-size:20px;line-height:1.35;letter-spacing:-.02em;font-weight:400!important;text-align:left}\n.cdb-editorial-point p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-quotes{display:grid;grid-template-columns:repeat(2,minmax(0,1fr));column-gap:80px;row-gap:72px;max-width:1050px}\n.cdb-editorial-quote{margin:0;padding:0}\n.cdb-editorial-quote blockquote,.cdb-editorial blockquote{margin:0 0 22px!important;padding:0!important;border:0!important;border-left:0!important;border-right:0!important;font-size:17px;line-height:1.75;font-weight:300!important;color:#4e4e4e}\n.cdb-editorial-quote-author{margin:0 0 3px;font-size:15px;line-height:1.4;font-weight:400!important;color:var(--cdb-black)}\n.cdb-editorial-quote-source{margin:0;font-size:13px;line-height:1.5;font-weight:300!important;color:var(--cdb-light-gray)}\n.cdb-editorial-details{margin:0 0 120px;padding:48px 40px;background:var(--cdb-soft)}\n.cdb-editorial-details-inner{display:grid;grid-template-columns:minmax(180px,.7fr) minmax(300px,1.3fr);gap:60px;max-width:1000px;margin:0 auto}\n.cdb-editorial-details-title{margin:0;font-size:24px;line-height:1.25;letter-spacing:-.025em;font-weight:300!important;text-align:left}\n.cdb-editorial-details-grid{display:grid;grid-template-columns:150px 1fr;column-gap:32px;row-gap:14px;align-content:start}\n.cdb-editorial-details-label{font-size:14px;line-height:1.5;font-weight:400!important}\n.cdb-editorial-details-value{font-size:14px;line-height:1.5;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq{max-width:1000px}\n.cdb-editorial-faq details{margin:0;padding:0;border:0!important;border-bottom:1px solid var(--cdb-line)!important;border-radius:0!important;background:transparent!important}\n.cdb-editorial-faq details:first-child{border-top:1px solid var(--cdb-line)!important}\n.cdb-editorial-faq summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eLiturgia · Formação Católica\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eRubricas do Missal de 62: agora em edição bilíngue, colorida e acessível\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eAs instruções oficiais para a celebração da Missa Tradicional, escritas pela Igreja em latim, chegam pela primeira vez em edição bilíngue latim-português, colorida e em capa dura.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eDo latim exclusivo ao bilíngue\u003c\/h3\u003e\n\u003cp\u003eAs quase cem páginas que explicam cada gesto, movimento, palavra e leitura da Missa Tradicional existiam somente em latim; agora estão também em português.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eFidelidade ao texto oficial\u003c\/h3\u003e\n\u003cp\u003eAs Rubricas Gerais do Missal de 62 são as instruções dadas pela própria Igreja Católica para orientar os sacerdotes na forma correta de celebrar o rito.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eEdição colorida em capa dura\u003c\/h3\u003e\n\u003cp\u003ePublicada em capa dura e colorida, a edição une clareza visual à seriedade litúrgica do conteúdo apresentado.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eA missa que jamais poderá ser cancelada\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eAté hoje, o texto que explica como o padre deve fazer cada gesto, movimento, palavra e leitura na Missa Tradicional existia somente em latim — uma grande barreira a quem, com coragem apostólica, deseja aprender a celebrar este rito.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eO que são as Rubricas Gerais do Missal\u003c\/h3\u003e\n\u003cp\u003eSão as instruções em latim que acompanham o próprio Missal, escritas pela Igreja Católica para orientar os sacerdotes na forma correta de celebrar a Missa Tradicional.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eUma barreira que agora foi superada\u003c\/h3\u003e\n\u003cp\u003ePor existirem somente em latim, as rubricas eram de difícil acesso a padres sem formação litúrgica avançada; a tradução ao português remove essa barreira.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eUma edição bilíngue latim-português\u003c\/h3\u003e\n\u003cp\u003eA nova edição apresenta o texto lado a lado em latim e português, permitindo consultar o original e sua tradução com facilidade.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003ePara conhecer a missa dos santos\u003c\/h3\u003e\n\u003cp\u003eA obra permite que qualquer padre, mesmo sem conhecimento prévio de liturgia, conheça, ame e aprenda a celebrar a missa que Santo Afonso de Ligório, São Padre Pio, São João Bosco e Santo Tomás de Aquino celebraram.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eFicha técnica\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eBilíngue (Latim - Português)\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e330\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eDura, colorida\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e17 x 24 cm\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003ePerguntas frequentes\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eO que são as Rubricas do Missal de 62?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSão as instruções oficiais, escritas pela Igreja em latim, que orientam os sacerdotes sobre a forma correta de celebrar a Missa Tradicional.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePor que esta edição é bilíngue?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePorque até esta publicação as rubricas existiam somente em latim, o que dificultava o acesso a padres sem formação avançada em liturgia; a edição bilíngue latim-português resolve essa barreira.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eEste livro é indicado apenas para sacerdotes?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eÉ voltado especialmente a sacerdotes que desejam celebrar a Missa Tradicional, mas também interessa a fiéis e estudiosos da liturgia.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eA edição é colorida?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim, esta é uma edição colorida e em capa dura.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuantas páginas tem o livro?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eA edição tem 330 páginas, no formato 17 x 24 cm.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eA que rito litúrgico o livro se refere?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eRefere-se à Missa Tradicional segundo o Missal de 1962, também celebrada por santos como Santo Afonso de Ligório, São Padre Pio, São João Bosco e Santo Tomás de Aquino.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e\n","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115347038278,"sku":"KQTMKCSYY","price":169.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/rubricasgerais1.jpg?v=1787318703"},{"product_id":"canto-gregoriano-metodo-de-solesmes-irma-marie-rose-o-p-capa-dura","title":"Canto Gregoriano: Método de Solesmes - Irmã Marie Rose O. P. (Capa dura)","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}\n.cdb-editorial strong{font-weight:500!important}\n.cdb-editorial-intro{max-width:820px;margin:0 0 72px}\n.cdb-editorial-kicker{display:block;margin:0 0 18px;font-size:13px;line-height:1.4;font-weight:400!important;letter-spacing:.08em;text-transform:uppercase;color:var(--cdb-gray)}\n.cdb-editorial-title{margin:0;font-size:clamp(36px,5vw,58px);line-height:1.08;letter-spacing:-.045em;font-weight:300!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-lead{max-width:680px;margin:28px 0 0;font-size:18px;line-height:1.65;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-features{display:grid;grid-template-columns:repeat(3,minmax(0,1fr));gap:64px;margin:0 0 120px}\n.cdb-editorial-feature{margin:0;padding:0}\n.cdb-editorial-feature-number{display:block;margin-bottom:18px;font-size:13px;line-height:1;font-weight:400!important;letter-spacing:.08em;color:var(--cdb-light-gray)}\n.cdb-editorial-feature h3{margin:0 0 12px;font-size:20px;line-height:1.3;letter-spacing:-.02em;font-weight:400!important;text-align:left}\n.cdb-editorial-feature p{margin:0;font-size:15px;line-height:1.7;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-section{margin:0 0 120px}\n.cdb-editorial-section-header{max-width:820px;margin:0 0 52px}\n.cdb-editorial-section-label{display:block;margin:0 0 14px;font-size:12px;line-height:1.4;font-weight:400!important;letter-spacing:.1em;text-transform:uppercase;color:var(--cdb-light-gray)}\n.cdb-editorial-section-title{margin:0;font-size:clamp(28px,3.5vw,42px);line-height:1.15;letter-spacing:-.035em;font-weight:300!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-section-intro{max-width:700px;margin:22px 0 0;font-size:17px;line-height:1.7;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-points{display:grid;grid-template-columns:repeat(2,minmax(0,1fr));column-gap:80px;row-gap:64px;max-width:1000px}\n.cdb-editorial-point{margin:0;padding:0}\n.cdb-editorial-point h3{margin:0 0 12px;font-size:20px;line-height:1.35;letter-spacing:-.02em;font-weight:400!important;text-align:left}\n.cdb-editorial-point p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-quotes{display:grid;grid-template-columns:repeat(2,minmax(0,1fr));column-gap:80px;row-gap:72px;max-width:1050px}\n.cdb-editorial-quote{margin:0;padding:0}\n.cdb-editorial-quote blockquote,.cdb-editorial blockquote{margin:0 0 22px!important;padding:0!important;border:0!important;border-left:0!important;border-right:0!important;font-size:17px;line-height:1.75;font-weight:300!important;color:#4e4e4e}\n.cdb-editorial-quote-author{margin:0 0 3px;font-size:15px;line-height:1.4;font-weight:400!important;color:var(--cdb-black)}\n.cdb-editorial-quote-source{margin:0;font-size:13px;line-height:1.5;font-weight:300!important;color:var(--cdb-light-gray)}\n.cdb-editorial-details{margin:0 0 120px;padding:48px 40px;background:var(--cdb-soft)}\n.cdb-editorial-details-inner{display:grid;grid-template-columns:minmax(180px,.7fr) minmax(300px,1.3fr);gap:60px;max-width:1000px;margin:0 auto}\n.cdb-editorial-details-title{margin:0;font-size:24px;line-height:1.25;letter-spacing:-.025em;font-weight:300!important;text-align:left}\n.cdb-editorial-details-grid{display:grid;grid-template-columns:150px 1fr;column-gap:32px;row-gap:14px;align-content:start}\n.cdb-editorial-details-label{font-size:14px;line-height:1.5;font-weight:400!important}\n.cdb-editorial-details-value{font-size:14px;line-height:1.5;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq{max-width:1000px}\n.cdb-editorial-faq details{margin:0;padding:0;border:0!important;border-bottom:1px solid var(--cdb-line)!important;border-radius:0!important;background:transparent!important}\n.cdb-editorial-faq details:first-child{border-top:1px solid var(--cdb-line)!important}\n.cdb-editorial-faq summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eEspiritualidade · Irmã Marie Rose O.P.\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eO ponto mais alto do canto gregoriano no Brasil\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eUm manual vivo e didático sobre como ensinar e aprender o canto gregoriano, de acordo com o método de restauração dos monges da Abadia de São Pedro de Solesmes — ao mesmo tempo, um documento histórico do canto sacro no Brasil.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eDocumento histórico e manual didático\u003c\/h3\u003e\n\u003cp\u003eA obra é, ao mesmo tempo, um documento que assinala o ponto mais alto do canto gregoriano no Brasil e um manual vivo sobre como ensinar e aprender esse canto.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eO método de Solesmes\u003c\/h3\u003e\n\u003cp\u003eSegue o esforço de restauração realizado pelos monges da Abadia de São Pedro de Solesmes, na França, desde meados do século XIX.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eO canto litúrgico por excelência\u003c\/h3\u003e\n\u003cp\u003eO canto gregoriano é a forma musical mais antiga do repertório ocidental a chegar até nossos dias, com raízes no antigo canto da sinagoga judaica.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eUm dos maiores tesouros da civilização cristã\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eFruto de poetas e monges compositores, quase todos anônimos, dedicados a glorificar a Deus na Santa Missa e no Ofício Divino, o canto gregoriano recompensa a todo fiel que busque conhecê-lo mais intimamente.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eA forma musical mais antiga\u003c\/h3\u003e\n\u003cp\u003eNo repertório ocidental, o canto gregoriano é a mais antiga forma musical a chegar até nossos dias, sendo o canto litúrgico católico por excelência.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eRaízes na sinagoga judaica\u003c\/h3\u003e\n\u003cp\u003eSuas raízes alcançam o tempo de Nosso Senhor e dos Apóstolos, no antigo canto da sinagoga judaica, desenvolvendo-se ao longo dos séculos.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eObra de monges e poetas anônimos\u003c\/h3\u003e\n\u003cp\u003eO repertório gregoriano é fruto do trabalho de poetas e monges compositores, quase todos anônimos, dedicados exclusivamente a glorificar a Deus.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eA restauração de Solesmes\u003c\/h3\u003e\n\u003cp\u003eO método segue o esforço de restauração do canto gregoriano realizado pelos monges da Abadia de São Pedro de Solesmes desde meados do século XIX.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eEm suas palavras\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eA apresentação de Nestor Forster Jr.\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-quotes\"\u003e\n      \u003cdiv class=\"cdb-editorial-quote\"\u003e\n\u003cblockquote\u003e“A obra que o leitor tem em mãos é múltipla: de um lado, trata-se de um documento histórico, que assinala talvez o ponto mais alto do canto gregoriano no Brasil; de outro, é um manual, vivo e didático, sobre como ensinar — e aprender — o canto gregoriano, de acordo com o esforço de restauração realizado pelos monges da Abadia de S. Pedro de Solesmes, na França, desde meados do século XIX.”\u003c\/blockquote\u003e\n\u003cp class=\"cdb-editorial-quote-author\"\u003eNestor Forster Jr.\u003c\/p\u003e\n\u003cp class=\"cdb-editorial-quote-source\"\u003eDiplomata e coordenador editorial da obra\u003c\/p\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-quote\"\u003e\n\u003cblockquote\u003e“O canto gregoriano é, no repertório ocidental, a forma musical mais antiga a chegar até nossos dias. É o canto litúrgico católico por excelência. O resultado constitui um dos maiores tesouros da civilização cristã, que não cessa de recompensar a todo o fiel que busque conhecê-lo mais intimamente.”\u003c\/blockquote\u003e\n\u003cp class=\"cdb-editorial-quote-author\"\u003eNestor Forster Jr.\u003c\/p\u003e\n\u003cp class=\"cdb-editorial-quote-source\"\u003eDiplomata e coordenador editorial da obra\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eFicha técnica\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCoordenação editorial\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eNestor Forster Jr.\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e332\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eDura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e16 x 23 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eDúvidas sobre Canto Gregoriano: Método de Solesmes\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eO que é este livro sobre canto gregoriano?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eÉ um manual vivo e didático sobre como ensinar e aprender o canto gregoriano segundo o método de restauração dos monges da Abadia de Solesmes, e ao mesmo tempo um documento histórico do canto sacro no Brasil.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO que é o canto gregoriano?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eÉ a forma musical mais antiga do repertório ocidental a chegar até nossos dias, sendo o canto litúrgico católico por excelência, com raízes no antigo canto da sinagoga judaica.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO que é o método de Solesmes?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eÉ o esforço de restauração do canto gregoriano realizado pelos monges da Abadia de São Pedro de Solesmes, na França, desde meados do século XIX, referência mundial para o estudo e a prática do canto.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem coordenou esta edição?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNestor Forster Jr., diplomata de carreira, atuou como coordenador editorial da obra.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem é indicado este livro?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara regentes de coral, seminaristas, religiosos e todo fiel interessado em aprender ou ensinar o canto gregoriano segundo o método clássico de Solesmes.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é o acabamento do livro?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eCapa dura, no formato 16 x 23 cm, com 332 páginas.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115370172486,"sku":"774XYVUEM","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/cantogragoriano1.jpg?v=1788287777"},{"product_id":"colecao-missa-de-sempre-para-sacerdotes-oito-pecas","title":"Coleção \"Missa de Sempre\" para Sacerdotes (oito peças)","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}\n.cdb-editorial strong{font-weight:500!important}\n.cdb-editorial-intro{max-width:820px;margin:0 0 72px}\n.cdb-editorial-kicker{display:block;margin:0 0 18px;font-size:13px;line-height:1.4;font-weight:400!important;letter-spacing:.08em;text-transform:uppercase;color:var(--cdb-gray)}\n.cdb-editorial-title{margin:0;font-size:clamp(36px,5vw,58px);line-height:1.08;letter-spacing:-.045em;font-weight:300!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-lead{max-width:680px;margin:28px 0 0;font-size:18px;line-height:1.65;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-features{display:grid;grid-template-columns:repeat(3,minmax(0,1fr));gap:64px;margin:0 0 120px}\n.cdb-editorial-feature{margin:0;padding:0}\n.cdb-editorial-feature-number{display:block;margin-bottom:18px;font-size:13px;line-height:1;font-weight:400!important;letter-spacing:.08em;color:var(--cdb-light-gray)}\n.cdb-editorial-feature h3{margin:0 0 12px;font-size:20px;line-height:1.3;letter-spacing:-.02em;font-weight:400!important;text-align:left}\n.cdb-editorial-feature p{margin:0;font-size:15px;line-height:1.7;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-section{margin:0 0 120px}\n.cdb-editorial-section-header{max-width:820px;margin:0 0 52px}\n.cdb-editorial-section-label{display:block;margin:0 0 14px;font-size:12px;line-height:1.4;font-weight:400!important;letter-spacing:.1em;text-transform:uppercase;color:var(--cdb-light-gray)}\n.cdb-editorial-section-title{margin:0;font-size:clamp(28px,3.5vw,42px);line-height:1.15;letter-spacing:-.035em;font-weight:300!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-section-intro{max-width:700px;margin:22px 0 0;font-size:17px;line-height:1.7;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-points{display:grid;grid-template-columns:repeat(2,minmax(0,1fr));column-gap:80px;row-gap:64px;max-width:1000px}\n.cdb-editorial-point{margin:0;padding:0}\n.cdb-editorial-point h3{margin:0 0 12px;font-size:20px;line-height:1.35;letter-spacing:-.02em;font-weight:400!important;text-align:left}\n.cdb-editorial-point p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-quotes{display:grid;grid-template-columns:repeat(2,minmax(0,1fr));column-gap:80px;row-gap:72px;max-width:1050px}\n.cdb-editorial-quote{margin:0;padding:0}\n.cdb-editorial-quote blockquote,.cdb-editorial blockquote{margin:0 0 22px!important;padding:0!important;border:0!important;border-left:0!important;border-right:0!important;font-size:17px;line-height:1.75;font-weight:300!important;color:#4e4e4e}\n.cdb-editorial-quote-author{margin:0 0 3px;font-size:15px;line-height:1.4;font-weight:400!important;color:var(--cdb-black)}\n.cdb-editorial-quote-source{margin:0;font-size:13px;line-height:1.5;font-weight:300!important;color:var(--cdb-light-gray)}\n.cdb-editorial-details{margin:0 0 120px;padding:48px 40px;background:var(--cdb-soft)}\n.cdb-editorial-details-inner{display:grid;grid-template-columns:minmax(180px,.7fr) minmax(300px,1.3fr);gap:60px;max-width:1000px;margin:0 auto}\n.cdb-editorial-details-title{margin:0;font-size:24px;line-height:1.25;letter-spacing:-.025em;font-weight:300!important;text-align:left}\n.cdb-editorial-details-grid{display:grid;grid-template-columns:150px 1fr;column-gap:32px;row-gap:14px;align-content:start}\n.cdb-editorial-details-label{font-size:14px;line-height:1.5;font-weight:400!important}\n.cdb-editorial-details-value{font-size:14px;line-height:1.5;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq{max-width:1000px}\n.cdb-editorial-faq details{margin:0;padding:0;border:0!important;border-bottom:1px solid var(--cdb-line)!important;border-radius:0!important;background:transparent!important}\n.cdb-editorial-faq details:first-child{border-top:1px solid var(--cdb-line)!important}\n.cdb-editorial-faq summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eLiturgia Tradicional\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eTudo que um sacerdote precisa para a Missa de Sempre\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eUm conjunto completo de oito peças litúrgicas — sacras de altar, placas e cartelas — pensado para auxiliar o sacerdote na celebração da Santa Missa no rito tradicional, também chamada de missa de sempre ou missa tridentina.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eConjunto completo\u003c\/h3\u003e\n\u003cp\u003eReúne, em oito peças, os principais auxílios impressos usados na celebração da missa tradicional.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eAcabamento premium\u003c\/h3\u003e\n\u003cp\u003ePeças produzidas em papel cartão com revestimento, pensadas para uso frequente na sacristia e no altar.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eUso sacerdotal\u003c\/h3\u003e\n\u003cp\u003eMaterial voltado especificamente a sacerdotes que celebram ou desejam começar a celebrar o rito tradicional.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eUm auxílio completo para a celebração\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eA missa tradicional exige do sacerdote uma série de orações e rubricas fixas, tradicionalmente auxiliadas por placas e cartelas colocadas no altar e na sacristia.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eTrês sacras de altar\u003c\/h3\u003e\n\u003cp\u003eAs placas que ficam sobre o altar durante a missa, com as orações fixas que guiam o sacerdote ao longo da celebração.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003ePlaca de paramentação\u003c\/h3\u003e\n\u003cp\u003eContém as orações que o sacerdote reza ao vestir cada peça do paramento litúrgico, antes de subir ao altar.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eCartelas de canto e rito\u003c\/h3\u003e\n\u003cp\u003eReúnem os tons de Glória, Credo, Asperges e Ite, Missa Est, além das orações ao pé do altar e das orações leoninas.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eRito de exorcismo do Papa Leão XIII\u003c\/h3\u003e\n\u003cp\u003eInclui a cartela com o rito, de uso exclusivo de sacerdotes autorizados pelo bispo diocesano.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eConjunto\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eConteúdo\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e8 peças: 3 sacras de altar, 1 placa de paramentação e 4 cartelas\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eMaterial\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePapel cartão com acabamento premium\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eUso\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eCelebração da Missa Tradicional (rito tridentino)\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês e Latim\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eDúvidas frequentes sobre a Coleção Missa de Sempre\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eO que está incluso nesta coleção?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eTrês sacras de altar, uma placa de orações para paramentação, quatro cartelas (incensação e tons de Glória\/Credo; orações ao pé do altar e Ite, Missa Est; orações leoninas e Asperges; e rito de exorcismo do Papa Leão XIII), totalizando oito peças.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem é indicado este conjunto?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eÉ indicado a sacerdotes que celebram ou desejam começar a celebrar a missa no rito tradicional.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO que são as \"sacras de altar\"?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSão as placas que ficam sobre o altar durante a missa, contendo orações fixas que auxiliam o sacerdote durante a celebração.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePreciso de autorização para usar o rito de exorcismo incluso?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim. Conforme o Rituale Romanum (Tit. XI, Cap. 3), apenas bispos e sacerdotes autorizados por seus Ordinários podem recitar esse rito.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAs cartelas servem para missas cantadas?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim, algumas cartelas trazem especificamente os tons de canto usados em missas solenes ou cantadas, como Glória, Credo, Asperges e Ite, Missa Est.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eEste conjunto substitui o missal do sacerdote?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. As peças são auxílios complementares para orações e rubricas específicas, não substituem o missal completo.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual o material das peças?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eTodas as peças são produzidas em papel cartão com revestimento e acabamento premium.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eOs itens desta coleção podem ser comprados separadamente?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim, diversos itens, como as sacras de altar e as cartelas individuais, também estão disponíveis separadamente na loja.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115372466246,"sku":"Z295LKDWW","price":217.5,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/colecaomissadesempre1.jpg?v=1788971562"},{"product_id":"sacras-de-altar-para-missa-tradicional-tres-itens","title":"Sacras de Altar para Missa Tradicional (três itens)","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}\n.cdb-editorial strong{font-weight:500!important}\n.cdb-editorial-intro{max-width:820px;margin:0 0 72px}\n.cdb-editorial-kicker{display:block;margin:0 0 18px;font-size:13px;line-height:1.4;font-weight:400!important;letter-spacing:.08em;text-transform:uppercase;color:var(--cdb-gray)}\n.cdb-editorial-title{margin:0;font-size:clamp(36px,5vw,58px);line-height:1.08;letter-spacing:-.045em;font-weight:300!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-lead{max-width:680px;margin:28px 0 0;font-size:18px;line-height:1.65;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-features{display:grid;grid-template-columns:repeat(3,minmax(0,1fr));gap:64px;margin:0 0 120px}\n.cdb-editorial-feature{margin:0;padding:0}\n.cdb-editorial-feature-number{display:block;margin-bottom:18px;font-size:13px;line-height:1;font-weight:400!important;letter-spacing:.08em;color:var(--cdb-light-gray)}\n.cdb-editorial-feature h3{margin:0 0 12px;font-size:20px;line-height:1.3;letter-spacing:-.02em;font-weight:400!important;text-align:left}\n.cdb-editorial-feature p{margin:0;font-size:15px;line-height:1.7;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-section{margin:0 0 120px}\n.cdb-editorial-section-header{max-width:820px;margin:0 0 52px}\n.cdb-editorial-section-label{display:block;margin:0 0 14px;font-size:12px;line-height:1.4;font-weight:400!important;letter-spacing:.1em;text-transform:uppercase;color:var(--cdb-light-gray)}\n.cdb-editorial-section-title{margin:0;font-size:clamp(28px,3.5vw,42px);line-height:1.15;letter-spacing:-.035em;font-weight:300!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-section-intro{max-width:700px;margin:22px 0 0;font-size:17px;line-height:1.7;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-points{display:grid;grid-template-columns:repeat(2,minmax(0,1fr));column-gap:80px;row-gap:64px;max-width:1000px}\n.cdb-editorial-point{margin:0;padding:0}\n.cdb-editorial-point h3{margin:0 0 12px;font-size:20px;line-height:1.35;letter-spacing:-.02em;font-weight:400!important;text-align:left}\n.cdb-editorial-point p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-quotes{display:grid;grid-template-columns:repeat(2,minmax(0,1fr));column-gap:80px;row-gap:72px;max-width:1050px}\n.cdb-editorial-quote{margin:0;padding:0}\n.cdb-editorial-quote blockquote,.cdb-editorial blockquote{margin:0 0 22px!important;padding:0!important;border:0!important;border-left:0!important;border-right:0!important;font-size:17px;line-height:1.75;font-weight:300!important;color:#4e4e4e}\n.cdb-editorial-quote-author{margin:0 0 3px;font-size:15px;line-height:1.4;font-weight:400!important;color:var(--cdb-black)}\n.cdb-editorial-quote-source{margin:0;font-size:13px;line-height:1.5;font-weight:300!important;color:var(--cdb-light-gray)}\n.cdb-editorial-details{margin:0 0 120px;padding:48px 40px;background:var(--cdb-soft)}\n.cdb-editorial-details-inner{display:grid;grid-template-columns:minmax(180px,.7fr) minmax(300px,1.3fr);gap:60px;max-width:1000px;margin:0 auto}\n.cdb-editorial-details-title{margin:0;font-size:24px;line-height:1.25;letter-spacing:-.025em;font-weight:300!important;text-align:left}\n.cdb-editorial-details-grid{display:grid;grid-template-columns:150px 1fr;column-gap:32px;row-gap:14px;align-content:start}\n.cdb-editorial-details-label{font-size:14px;line-height:1.5;font-weight:400!important}\n.cdb-editorial-details-value{font-size:14px;line-height:1.5;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq{max-width:1000px}\n.cdb-editorial-faq details{margin:0;padding:0;border:0!important;border-bottom:1px solid var(--cdb-line)!important;border-radius:0!important;background:transparent!important}\n.cdb-editorial-faq details:first-child{border-top:1px solid var(--cdb-line)!important}\n.cdb-editorial-faq summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eLiturgia Tradicional\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eAs três sacras que guiam o sacerdote no altar\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eConjunto com as três placas de altar — as sacras — usadas na missa tradicional para auxiliar o sacerdote nas orações fixas da celebração.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eTrês peças, um conjunto\u003c\/h3\u003e\n\u003cp\u003eInclui a sacra maior, ao centro, e as duas sacras menores, dispostas nas extremidades do altar.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eApoio direto ao celebrante\u003c\/h3\u003e\n\u003cp\u003eAs sacras trazem impressas as orações que o sacerdote reza em momentos específicos da missa, evitando a necessidade de memorização.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eUso tradicional consolidado\u003c\/h3\u003e\n\u003cp\u003eItem indispensável na preparação do altar segundo as rubricas da missa tradicional.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eUm auxílio fixo sobre o altar\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eNa missa tradicional, as sacras acompanham o sacerdote durante toda a celebração, dispostas sobre o altar em posições fixas.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eO que são as sacras\u003c\/h3\u003e\n\u003cp\u003ePlacas com textos litúrgicos fixos, colocadas sobre o altar para auxiliar o sacerdote em orações que exigem memorização precisa.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eSacra maior ao centro\u003c\/h3\u003e\n\u003cp\u003eA maior das três peças, medindo 22 x 31 cm, fica posicionada ao centro do altar.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eSacras menores nas laterais\u003c\/h3\u003e\n\u003cp\u003eAs duas sacras menores, de 15 x 22 cm, completam o conjunto, dispostas nas extremidades do altar.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eUso consolidado na tradição\u003c\/h3\u003e\n\u003cp\u003eO uso das sacras remonta a séculos de prática litúrgica, mantendo-se como referência na celebração do rito tradicional.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eConjunto\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eConteúdo\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e3 peças: 1 sacra maior e 2 sacras menores\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eSacra maior\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e22 x 31 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eSacra menor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e15 x 22 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eMaterial\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePapel cartão com acabamento premium\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eUso\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eAltar da Missa Tradicional\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eLatim\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eDúvidas frequentes sobre as Sacras de Altar\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eO que são as sacras de altar?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSão placas com textos litúrgicos fixos, colocadas sobre o altar para auxiliar o sacerdote em orações da missa tradicional.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuantas peças vêm neste conjunto?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eTrês peças: uma sacra maior e duas sacras menores.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual a diferença entre a sacra maior e a sacra menor?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eA sacra maior (22 x 31 cm) fica ao centro do altar; as sacras menores (15 x 22 cm) ficam dispostas nas extremidades.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara que servem as sacras durante a missa?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eAuxiliam o sacerdote a rezar corretamente orações fixas em determinados momentos da celebração, sem depender apenas da memória.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eEste item é indicado apenas para sacerdotes?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eÉ um item litúrgico de uso sacerdotal, destinado à preparação do altar para a celebração da missa tradicional.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAs sacras fazem parte da coleção \"Missa de Sempre\"?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim, as sacras integram também o conjunto completo de oito peças da coleção \"Missa de Sempre\" para sacerdotes.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual o material das sacras?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSão produzidas em papel cartão com acabamento premium.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115372499014,"sku":"6EJ5HQ8WR","price":133.2,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/sacrasdealtar1.jpg?v=1788971620"}],"url":"https:\/\/loja.centrodombosco.org\/collections\/liturgia.oembed","provider":"Loja Centro Dom Bosco®","version":"1.0","type":"link"}