{"title":"Linguagem","description":"\u003cp\u003eObras pensadas para estudantes, professores e todos aqueles que desejam escrever, interpretar e se expressar melhor. Livros para aprofundar seus conhecimentos sobre língua portuguesa, gramática, literatura e o uso correto da linguagem.\u003c\/p\u003e","products":[{"product_id":"a-arte-da-composicao-e-do-estilo-padre-antonio-da-cruz","title":"A Arte da Composição e do Estilo – Padre Antônio da Cruz","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}\n.cdb-editorial strong{font-weight:500!important}\n.cdb-editorial-intro{max-width:820px;margin:0 0 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summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eEducação · Formação Literária\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eA arte de escrever com\u003cbr\u003eclareza, ordem e elegância\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eUm guia clássico de retórica, gramática e estilística que ensina a unir a lógica do pensamento à beleza da forma — não por talento espontâneo, mas por um método disciplinado, segundo os moldes da boa língua portuguesa.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003ePureza da linguagem\u003c\/h3\u003e\n\u003cp\u003eCombate os vícios de linguagem e os barbarismos, em defesa de uma expressão correta, limpa e fiel à língua portuguesa.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eClareza e harmonia\u003c\/h3\u003e\n\u003cp\u003eEnsina princípios de sintaxe, concisão e ordem dos termos para produzir textos claros e sem ambiguidades.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eFormação clássica\u003c\/h3\u003e\n\u003cp\u003eRetórica, gramática e estilística tratadas segundo os moldes clássicos, com exercícios práticos de composição.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a Obra\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003eUm método clássico de composição\u003c\/h2\u003e\n\u003cp class=\"cdb-editorial-section-intro\"\u003eMais que um manual de regras, a obra do Padre Antônio da Cruz propõe uma verdadeira pedagogia da escrita — unindo disciplina gramatical, sensibilidade estética e exercícios práticos de redução e amplificação de ideias.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003ePureza da linguagem\u003c\/h3\u003e\n\u003cp\u003eCombate aos vícios de linguagem, aos barbarismos e ao uso incorreto da gramática, em defesa de uma expressão correta e fiel à língua portuguesa.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eA construção da frase\u003c\/h3\u003e\n\u003cp\u003eRegras de sintaxe orientam a disposição dos termos, a clareza, a harmonia e a concisão, ajudando o estudante a evitar ambiguidades.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eAs qualidades do estilo\u003c\/h3\u003e\n\u003cp\u003eO que constitui um estilo castiço, elegante e adequado, considerando diferentes formas de discurso — o narrativo, o dissertativo e o epistolar.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eRetórica e exercícios práticos\u003c\/h3\u003e\n\u003cp\u003eMetáforas, antíteses e outros recursos, estudados sem exageros, ao lado de exercícios de redução e amplificação de ideias.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eEdição\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePadre Antônio da Cruz\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e368\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eBrochura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e14 × 21 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003ePerguntas sobre a obra\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eO que é A Arte da Composição e do Estilo?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eÉ uma obra didática clássica de retórica, gramática e estilística, concebida como guia para a formação literária de estudantes e humanistas de língua portuguesa.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é o objetivo do livro?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eEnsinar a escrever com correção, elegância e clareza, unindo a lógica do pensamento à beleza da forma por meio de uma técnica disciplinada, e não apenas da inspiração.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePor que o autor defende regras fixas para a escrita?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePorque princípios como unidade, proporção, harmonia entre fundo e forma, verdade e simplicidade derivam, para o autor, da própria natureza do espírito humano e do bom senso esclarecido.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO que significa um estilo castiço?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNo contexto da obra, é o estilo puro, correto e fiel aos bons moldes da língua portuguesa, sem vícios, barbarismos ou artifícios desnecessários.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem esta obra é indicada?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara estudantes, professores, escritores e todo leitor que deseja aperfeiçoar a expressão escrita segundo os princípios clássicos da língua portuguesa.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual foi a importância histórica deste livro?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eA obra foi amplamente utilizada na primeira metade do século XX em colégios brasileiros, com destaque para o Colégio do Caraça, e participou da formação de uma geração de prosadores e intelectuais mineiros.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é o acabamento desta edição?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eEdição em brochura, no formato 14 × 21 cm, com 368 páginas.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  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auto}\n.cdb-editorial-details-title{margin:0;font-size:24px;line-height:1.25;letter-spacing:-.025em;font-weight:300!important;text-align:left}\n.cdb-editorial-details-grid{display:grid;grid-template-columns:150px 1fr;column-gap:32px;row-gap:14px;align-content:start}\n.cdb-editorial-details-label{font-size:14px;line-height:1.5;font-weight:400!important}\n.cdb-editorial-details-value{font-size:14px;line-height:1.5;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq{max-width:1000px}\n.cdb-editorial-faq details{margin:0;padding:0;border:0!important;border-bottom:1px solid var(--cdb-line)!important;border-radius:0!important;background:transparent!important}\n.cdb-editorial-faq details:first-child{border-top:1px solid var(--cdb-line)!important}\n.cdb-editorial-faq summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eLíngua Portuguesa · Napoleão Mendes de Almeida\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eUma resposta definitiva para\u003cbr\u003ecada dúvida da língua portuguesa\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eApós mais de 25 anos esgotada, uma das obras mais aguardadas de Napoleão Mendes de Almeida finalmente retorna em nova edição. Muito além de um dicionário comum, esta obra explica usos corretos, aplicações gramaticais e o funcionamento vivo do idioma — com o rigor de um dos maiores mestres do português no Brasil.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eUma consulta para toda dúvida\u003c\/h3\u003e\n\u003cp\u003eQuestões como 'a fim' ou 'afim', diferenças de sentido e construções clássicas recebem respostas claras, seguras e definitivas.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eMuito além de um dicionário comum\u003c\/h3\u003e\n\u003cp\u003eNapoleão não apenas define palavras: explica usos corretos, raízes históricas e o funcionamento vivo da língua portuguesa.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eO mestre da língua portuguesa\u003c\/h3\u003e\n\u003cp\u003eReconhecido como um dos maiores professores de português do Brasil, formou gerações inteiras de estudantes, professores e escritores.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003eUm guia seguro para quem deseja dominar o português\u003c\/h2\u003e\n\u003cp class=\"cdb-editorial-section-intro\"\u003eO Dicionário de Questões Vernáculas foi escrito precisamente para resolver dúvidas reais da língua portuguesa — aquelas que surgem no trabalho, na leitura, na escrita e até na fala cotidiana — com clareza, rigor e tradição.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eClareza, rigor e tradição\u003c\/h3\u003e\n\u003cp\u003eCom o rigor característico de Napoleão Mendes de Almeida, a obra apresenta explicações acessíveis, referências clássicas da língua e orientações práticas para escrever com mais segurança.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eUma obra aguardada há décadas\u003c\/h3\u003e\n\u003cp\u003eApós mais de 25 anos esgotado, este clássico retorna em edição exclusiva, tornando-se novamente disponível para estudantes, professores e escritores.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eUm livro que serve a todos, não apenas a especialistas\u003c\/h3\u003e\n\u003cp\u003eA obra não foi escrita apenas para especialistas: serve a qualquer pessoa que deseje escrever melhor, evitar erros e adquirir segurança ao se comunicar.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eUm livro de consulta permanente\u003c\/h3\u003e\n\u003cp\u003eFeita para acompanhar o leitor por toda a vida, é uma obra para conservar na mesa de estudos e revisitar sempre que surgir uma nova dúvida.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-quotes\"\u003e\n    \u003cdiv class=\"cdb-editorial-quote\"\u003e\n\u003cblockquote\u003e“Se o estilo reflete o homem, o idioma reflete o povo.”\u003c\/blockquote\u003e\n\u003cp class=\"cdb-editorial-quote-author\"\u003eNapoleão Mendes de Almeida\u003c\/p\u003e\n\u003cp class=\"cdb-editorial-quote-source\"\u003eSobre a importância do bom uso da língua portuguesa\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-quote\"\u003e\n\u003cblockquote\u003e“Conhecer a própria língua não é privilégio de gramáticos, senão dever do brasileiro que preza sua nacionalidade.”\u003c\/blockquote\u003e\n\u003cp class=\"cdb-editorial-quote-author\"\u003eNapoleão Mendes de Almeida\u003c\/p\u003e\n\u003cp class=\"cdb-editorial-quote-source\"\u003eSobre o dever de conhecer o próprio idioma\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eEdição\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTítulo\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eDicionário de Questões Vernáculas\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eNapoleão Mendes de Almeida\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAcabamento\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eCapa dura premium\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eFormato\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e16 × 23 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e948\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003ePerguntas sobre o dicionário\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eEste livro é apenas um dicionário comum?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. A obra vai muito além de simples definições: explica dúvidas reais da língua portuguesa, usos corretos, construções clássicas e aplicações gramaticais.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem deve ler este livro?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eEstudantes, professores, escritores, profissionais e qualquer pessoa que deseje escrever e falar português com mais segurança e clareza.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro é indicado para consultas rápidas?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim. A obra foi organizada justamente para permitir consultas práticas sobre dúvidas específicas da língua portuguesa, como um verdadeiro guia de referência.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePor que Napoleão Mendes de Almeida é tão importante?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePorque foi um dos maiores professores de português da história do Brasil, autor de obras clássicas que formaram gerações de estudantes e professores.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eEsta edição é inédita?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eTrata-se do retorno de uma obra aguardada há décadas, agora publicada novamente em edição exclusiva após mais de 25 anos esgotada.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é o formato e a extensão do livro?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eUma edição em capa dura premium, com 948 páginas, no formato 16 × 23 cm — pensada para durar como obra de consulta permanente.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115329966150,"sku":"K33SFDY5V","price":219.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/dicionariodequestoesvernaculas1_28cc2ca7-bb5c-4693-b568-64028de45033.jpg?v=1786465339"},{"product_id":"combo-napoleao-mendes-de-almeida-4-livros-brinde-capa-dura","title":"Combo Napoleão Mendes de Almeida (4 livros)","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}.cdb-editorial strong{font-weight:500!important}.cdb-editorial-intro{max-width:820px;margin:0 0 72px}.cdb-editorial-kicker{display:block;margin:0 0 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summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}.cdb-editorial-faq summary::-webkit-details-marker{display:none}.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eCombo · Educação Clássica\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eA coleção definitiva para dominar\u003cbr\u003eo latim e o português.\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eQuatro obras de Napoleão Mendes de Almeida, reeditadas com rigor e acabamento premium, para quem deseja escrever com correção, pensar com precisão e ter acesso à tradição intelectual latina.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eObras reeditadas com rigor\u003c\/h3\u003e\n\u003cp\u003eEdições revisadas e corrigidas, com erros das edições anteriores eliminados e acabamento premium em capa dura com fitilhos.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eQuatro volumes em um combo\u003c\/h3\u003e\n\u003cp\u003eGramática Latina, Gramática Portuguesa, Dicionário de Questões Vernáculas e Antologia Remissiva: o conjunto mais completo do autor.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eFormação sólida e duradoura\u003c\/h3\u003e\n\u003cp\u003eObras que formaram gerações de intelectuais brasileiros, agora acessíveis em uma edição de luxo para durar décadas.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eSobre o combo\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003eOs quatro volumes que formaram gerações\u003c\/h2\u003e\n\u003cp class=\"cdb-editorial-section-intro\"\u003eProfessor, gramático e latinista brasileiro de rara erudição, Napoleão Mendes de Almeida dedicou a vida ao ensino rigoroso da língua portuguesa e do latim. Suas obras tornaram-se referência obrigatória para filólogos, escritores, sacerdotes e estudantes sérios.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eQuem foi Napoleão Mendes de Almeida?\u003c\/h3\u003e\n\u003cp\u003eProfessor e latinista de rara erudição, dedicou sua vida ao ensino apaixonado da língua portuguesa e do latim, tornando-se referência obrigatória para filólogos e sacerdotes.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003ePor que estas obras ainda são indispensáveis?\u003c\/h3\u003e\n\u003cp\u003eEm tempos de declinio do ensino clássico, suas gramáticas resistem porque se fundam nos princípios imutáveis da língua, e não em modas pedagógicas passageiras.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eUma edição revisada e corrigida\u003c\/h3\u003e\n\u003cp\u003eDepois de anos esgotadas, as obras voltam com erros das edições anteriores eliminados, capa dura, papel de qualidade e fitilhos.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eO combo mais completo disponível\u003c\/h3\u003e\n\u003cp\u003eReúne os quatro principais títulos do autor em um único combo, tornando o acesso à formação clássica mais acessível do que nunca.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-quotes\"\u003e\n    \u003carticle class=\"cdb-editorial-quote\"\u003e\n      \u003cblockquote\u003e“Asas de um pássaro, o latim e o português devem voar juntos: tal é a minha convicção, tal a minha preocupação em todas estas 104 lições.”\u003c\/blockquote\u003e\n      \u003cp class=\"cdb-editorial-quote-author\"\u003eNapoleão Mendes de Almeida\u003c\/p\u003e\n      \u003cp class=\"cdb-editorial-quote-source\"\u003eGramática Latina\u003c\/p\u003e\n    \u003c\/article\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eCombo\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eVolumes\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e4 livros\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eGramática Latina\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e720 páginas · 16 × 23 cm · Capa dura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eGramática Portuguesa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e768 páginas · 16 × 23 cm · Capa dura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eDicionário Vernáculas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e640 páginas · 16 × 23 cm · Capa dura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAntologia Remissiva\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eAprox. 200 páginas · 16 × 23 cm · Capa dura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAcabamento\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eCapa dura com fitilho, papel de alta qualidade\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003eTudo sobre o Combo Napoleão Mendes de Almeida\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003ePor que estudar latim hoje?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eO latim não é estudado para ser falado, mas para aguçar o intelecto, desenvolver a capacidade de análise e aperfeiçoar a compreensão profunda do português.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem é indicado este combo?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara estudantes, professores, sacerdotes, seminaristas, escritores e todos que desejam dominar o português com profundidade e ter acesso à tradição intelectual latina.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem foi Napoleão Mendes de Almeida?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eProfessor, gramático e latinista brasileiro, dedicou a vida ao ensino da língua portuguesa e do latim, sendo autor de obras que se tornaram referência obrigatória no Brasil.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO que foi revisado nesta nova edição?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eA equipe editorial revisou as edições anteriores e corrigiu erros tipográficos e de revisão acumulados ao longo dos anos.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é o acabamento dos livros?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eTodos os volumes possuem capa dura, papel de alta qualidade e fitilhos, refletindo a importância das obras.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO Dicionário de Questões Vernaculas é um dicionário comum?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. É uma obra única, resultado de décadas de magistério, que responde com clareza às principais dúvidas práticas da língua portuguesa.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePosso comprar os volumes separadamente?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim, todos os volumes também estão disponíveis individualmente, mas o combo oferece um desconto em relação à compra separada.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115332948038,"sku":"8UHH4VMR3","price":539.8,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/combonapoleao2.jpg?v=1788294965"},{"product_id":"antologia-remissiva-volume-i-napoleao-mendes-de-almeida","title":"Antologia Remissiva – Napoleão Mendes de Almeida (Vol. I)","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}.cdb-editorial strong{font-weight:500!important}.cdb-editorial-intro{max-width:820px;margin:0 0 72px}.cdb-editorial-kicker{display:block;margin:0 0 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summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}.cdb-editorial-faq summary::-webkit-details-marker{display:none}.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eEducação · Língua Portuguesa\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eO método que faz você aprender\u003cbr\u003eportuguês de verdade.\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eEm vez de “decorebas” ou superficialidades, Napoleão Mendes de Almeida apresenta um estudo interativo, em que o mestre se comunica com o aprendiz por meio de perguntas sobre gramática, vocabulário e a leitura dos grandes escritores da língua portuguesa.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eAnálise de leitura\u003c\/h3\u003e\n\u003cp\u003eO aluno entra em contato direto com textos de alto nível e aprende a lê-los com atenção, precisão e inteligência.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eAmpliação do vocabulário\u003c\/h3\u003e\n\u003cp\u003eAs palavras deixam de ser vagas: você compreende os sentidos exatos e passa a empregá-las com propriedade.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eCultura clássica\u003c\/h3\u003e\n\u003cp\u003eAprender português, aqui, não é decorar regra isolada: é formar o gosto, a inteligência e o juízo pela boa leitura.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003ePara quem quer escrever e pensar melhor\u003c\/h2\u003e\n\u003cp class=\"cdb-editorial-section-intro\"\u003eAlguns oferecem um calhamaco de gramática a quem nem domina o dicionário; outros apostam no mínimo. Napoleão Mendes oferece o oposto: um estudo completo, exigente e interativo, que desenvolve no estudante a capacidade de compreender qualquer texto.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003ePor que tanta gente “estuda português” e não aprende?\u003c\/h3\u003e\n\u003cp\u003eO ensino superficial ou excessivamente técnico raramente forma leitores sólidos; a Antologia Remissiva propõe um caminho diferente.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eSem superficialidade\u003c\/h3\u003e\n\u003cp\u003eVocê aprende o idioma analisando textos clássicos da língua portuguesa, como o Hino Nacional e outros grandes autores.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eSem ambiguidades\u003c\/h3\u003e\n\u003cp\u003ePerguntas e respostas claras, com exercícios que levam realmente ao aprendizado da língua portuguesa.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eCom método\u003c\/h3\u003e\n\u003cp\u003eO livro traz análises completas dos textos dos maiores escritores de nossa língua, com indicação complementar para a Gramática sempre que necessário.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eEdição\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eNapoleão Mendes de Almeida\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eAprox. 200\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eCapa dura com fitilho\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e16 × 23 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003eTudo sobre a Antologia Remissiva\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eDo que se trata este livro?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eÉ um método interativo de estudo da língua portuguesa, em que o aluno aprende por meio da leitura comentada de textos clássicos, perguntas objetivas, vocabulário e remissões gramaticais.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÉ só um livro de gramática?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. A proposta vai além da gramática isolada: o estudante aprende a língua em uso, analisando autores, estrutura, estilo e significado real dos textos.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem foi Napoleão Mendes de Almeida?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eProfessor e latinista brasileiro de rara erudição, dedicou a vida ao ensino rigoroso da língua portuguesa, tornando-se referência obrigatória para filólogos, sacerdotes e escritores.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem a Antologia Remissiva é indicada?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara quem quer escrever melhor, pensar melhor, ampliar o vocabulário e ler com clareza, sem superficialidade.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePrecisa ter grande conhecimento prévio para usá-lo?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão necessariamente. O método conduz o estudante passo a passo, por meio de perguntas e respostas, associando leitura, compreensão e fixação gramatical.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é o diferencial desta edição?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eAlém da qualidade editorial da edição CDB, o livro reúne estudo ativo, leitura dos clássicos, ampliação do vocabulário e aprofundamento gramatical num só percurso formativo.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115332980806,"sku":"U4MDSJC5D","price":99.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/antologiaremissiva1.jpg?v=1786472298"},{"product_id":"a-arte-da-leitura-mario-goncalves-viana","title":"A Arte da Leitura – Mário Gonçalves Viana","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}\n.cdb-editorial strong{font-weight:500!important}\n.cdb-editorial-intro{max-width:820px;margin:0 0 72px}\n.cdb-editorial-kicker{display:block;margin:0 0 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summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eEducação · Mário Gonçalves Viana\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eLer mais devagar,\u003cbr\u003epensar mais fundo\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eContra a pressa e a superficialidade da leitura moderna, Mário Gonçalves Viana ensina que ler bem é muito mais do que decifrar palavras: é compreender, julgar e transformar em vida aquilo que se lê. Um verdadeiro método para formar o espírito e recuperar a boa leitura como caminho de cultura e virtude.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eUm diagnóstico lúcido\u003c\/h3\u003e\n\u003cp\u003eO autor expõe os vícios da leitura moderna — apressada, dispersa e sem método — que geram espíritos confusos e frágeis.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003ePrincípios para escolher bem\u003c\/h3\u003e\n\u003cp\u003eTraz critérios claros para selecionar boas leituras e evitar livros nocivos ou inúteis à formação intelectual.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eUm método, não um atalho\u003c\/h3\u003e\n\u003cp\u003eIntegra memória, inteligência e vontade em orientações práticas para tomar notas, sublinhar e fixar o que foi lido.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003eUm protesto contra a mediocridade intelectual\u003c\/h2\u003e\n\u003cp class=\"cdb-editorial-section-intro\"\u003eParte da coleção pedagógica de Mário Gonçalves Viana, ao lado de A Arte de Aprender, A Arte de Estudar, A Arte de Escrever, A Arte de Falar em Público e A Arte de Obedecer, este livro apresenta um método de leitura inteligente que forma o espírito e educa o gosto.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eOs vícios da leitura apressada\u003c\/h3\u003e\n\u003cp\u003eO autor mostra como a leitura rápida, distraída e sem critério impede a real compreensão dos textos e enfraquece o juízo.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eCritérios para escolher boas obras\u003c\/h3\u003e\n\u003cp\u003eApresenta princípios práticos para discernir entre leituras que edificam e leituras que apenas ocupam o tempo.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eFerramentas concretas de estudo\u003c\/h3\u003e\n\u003cp\u003eEnsina a tomar notas, sublinhar, resumir e fixar o conteúdo lido, unindo memória, inteligência e vontade num só método.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eDa leitura à vida espiritual\u003c\/h3\u003e\n\u003cp\u003eMostra como a boa leitura também ajuda a tirar mais fruto da leitura espiritual, da doutrina e da vida dos santos.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eEdição\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eMário Gonçalves Viana\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e280\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eBrochura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e19 × 23 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eEdição\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e2025\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003ePerguntas sobre A Arte da Leitura\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eEste livro ensina técnicas de leitura dinâmica?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. Pelo contrário: o autor critica a ilusão da leitura apressada. O objetivo é ensinar a ler com profundidade, atenção e método, e não simplesmente ler mais depressa.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÉ um livro voltado apenas para estudantes?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. É indicado para estudantes, pais, professores, religiosos e qualquer pessoa que queira ler melhor, seja livros de estudo, clássicos ou obras de formação espiritual.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePreciso já ter hábito de leitura para aproveitar o livro?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. O autor parte dos princípios mais simples e oferece orientações concretas para quem deseja iniciar ou retomar o hábito da leitura, passo a passo.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eEste título faz parte de uma coleção?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim. Integra a coleção pedagógica de Mário Gonçalves Viana, que inclui também A Arte de Aprender, A Arte de Estudar, A Arte de Escrever, A Arte de Falar em Público e A Arte de Obedecer.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é o formato desta edição?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eEdição de 2025 em brochura, com 280 páginas, no formato de 19 × 23 cm.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem foi Mário Gonçalves Viana?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eFoi um educador e escritor português conhecido por sua coleção de obras pedagógicas voltadas à formação intelectual e moral, entre elas os títulos da série ‘A Arte de…’.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115333439558,"sku":"SHT7AGFQQ","price":49.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/aartedaleitura1_8bfcaedb-da06-4cd2-9391-80e2b9a00c3c.jpg?v=1786459574"},{"product_id":"a-arte-de-escrever-mario-goncalves-viana","title":"A Arte de Escrever – Mário Gonçalves Viana","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial 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3px;font-size:15px;line-height:1.4;font-weight:400!important;color:var(--cdb-black)}\n.cdb-editorial-quote-source{margin:0;font-size:13px;line-height:1.5;font-weight:300!important;color:var(--cdb-light-gray)}\n.cdb-editorial-details{margin:0 0 120px;padding:48px 40px;background:var(--cdb-soft)}\n.cdb-editorial-details-inner{display:grid;grid-template-columns:minmax(180px,.7fr) minmax(300px,1.3fr);gap:60px;max-width:1000px;margin:0 auto}\n.cdb-editorial-details-title{margin:0;font-size:24px;line-height:1.25;letter-spacing:-.025em;font-weight:300!important;text-align:left}\n.cdb-editorial-details-grid{display:grid;grid-template-columns:150px 1fr;column-gap:32px;row-gap:14px;align-content:start}\n.cdb-editorial-details-label{font-size:14px;line-height:1.5;font-weight:400!important}\n.cdb-editorial-details-value{font-size:14px;line-height:1.5;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq{max-width:1000px}\n.cdb-editorial-faq details{margin:0;padding:0;border:0!important;border-bottom:1px solid var(--cdb-line)!important;border-radius:0!important;background:transparent!important}\n.cdb-editorial-faq details:first-child{border-top:1px solid var(--cdb-line)!important}\n.cdb-editorial-faq summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eEducação · Formação Intelectual\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eEscrever Bem é um Dever\u003cbr\u003ede Quem Pensa com Clareza\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eMário Gonçalves Viana denuncia o mau uso da língua portuguesa e ensina, com método e exigência, o caminho para uma escrita lógica, harmoniosa e elegante — a marca de quem pensa antes de escrever.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eDiagnóstico dos vícios da escrita\u003c\/h3\u003e\n\u003cp\u003eO autor aponta com precisão os erros de ortografia, concordância e construção que mais empobrecem o texto de quem escreve sem método.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eMétodo, não só regras\u003c\/h3\u003e\n\u003cp\u003eMais do que corrigir gramática, a obra ensina a organizar o pensamento antes de colocá-lo no papel, formando um estilo próprio, claro e correto.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eParte de uma coleção clássica\u003c\/h3\u003e\n\u003cp\u003eIntegra a série de Mário Gonçalves Viana ao lado de A Arte de Aprender, A Arte de Estudar, A Arte de Falar em Público e A Arte de Obedecer.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eUm guia contra a mediocridade da linguagem\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eEscrever bem, para o autor, não é adorno: é sinal de cultura e de inteligência disciplinada. Esta obra une diagnóstico, método e exercício para formar não apenas melhores escritores, mas cidadãos mais lúcidos e responsáveis.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eClareza como princípio\u003c\/h3\u003e\n\u003cp\u003eO texto ensina que toda boa escrita nasce de um pensamento ordenado — por isso o método proposto começa sempre pela lógica antes do estilo.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eErros comuns, expostos\u003c\/h3\u003e\n\u003cp\u003eVícios de linguagem, incorreções de concordância e falhas de construção são analisados um a um, com exemplos que ajudam o leitor a reconhecê-los na própria escrita.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eLeituras e exercícios\u003c\/h3\u003e\n\u003cp\u003eA obra sugere leituras complementares e exercícios práticos voltados ao autodidata que deseja progredir sozinho na expressão escrita.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eFormação para além da sala de aula\u003c\/h3\u003e\n\u003cp\u003eÚtil a estudantes e professores, mas também a qualquer profissional que precise comunicar-se por escrito com precisão e elegância.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eEdição\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eMário Gonçalves Viana\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e288\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eBrochura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e14 × 21 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eDúvidas sobre A Arte de Escrever\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eA Arte de Escrever é só um livro de gramática?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. Embora trate de erros comuns de linguagem, seu foco central é ensinar a pensar e escrever com lógica, clareza e estilo — muito além de regras gramaticais isoladas.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem este livro é indicado?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara estudantes, professores, profissionais e qualquer pessoa que deseje aperfeiçoar sua comunicação escrita, seja na vida acadêmica, profissional ou pessoal.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro faz parte de uma coleção?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim. Pertence à coleção pedagógica de Mário Gonçalves Viana, que inclui também A Arte de Aprender, A Arte de Estudar, A Arte de Falar em Público e A Arte de Obedecer.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual o formato e o acabamento do livro?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eEdição em capa brochura, com 288 páginas e dimensões de 14 x 21 cm.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO conteúdo é atual, mesmo tratando de um tema clássico?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim. Os vícios de linguagem que o autor combate — imprecisão, desleixo, falta de lógica — continuam presentes na escrita cotidiana, o que torna a obra tão útil hoje quanto em sua origem.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eEste livro ajuda também na fala, não só na escrita?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSeu foco é a expressão escrita, mas o método de organizar o pensamento com clareza beneficia igualmente quem deseja se comunicar melhor de forma oral.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115334455366,"sku":"VZN8K8HNU","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/aartedeescrever1_56d6a0b7-81e3-4920-b644-a5e76f5a0613.jpg?v=1786459720"},{"product_id":"colecao-formacao-humana-de-mario-goncalves-viana","title":"Coleção Formação Humana - Mário Gonçalves Viana","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}\n.cdb-editorial 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details{margin:0;padding:0;border:0!important;border-bottom:1px solid var(--cdb-line)!important;border-radius:0!important;background:transparent!important}\n.cdb-editorial-faq details:first-child{border-top:1px solid var(--cdb-line)!important}\n.cdb-editorial-faq summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eEducação · Coleção Completa\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eSeis Livros para Formar a\u003cbr\u003eInteligência e o Caráter\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eA Coleção Formação Humana reúne os seis clássicos de Mário Gonçalves Viana sobre aprender, estudar, ler, escrever, falar em público e obedecer — um currículo completo de vida intelectual.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eFormação intelectual completa\u003c\/h3\u003e\n\u003cp\u003eUm conjunto de obras voltadas ao desenvolvimento dos hábitos de leitura, estudo, escrita, aprendizado e expressão pública.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eMétodo prático e direto\u003c\/h3\u003e\n\u003cp\u003eMário Gonçalves Viana trata de temas concretos da vida intelectual com clareza, objetividade e aplicação imediata no dia a dia.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eSeis títulos em um só combo\u003c\/h3\u003e\n\u003cp\u003eA coleção reúne A Arte de Falar em Público, A Arte de Aprender, A Arte de Estudar, A Arte de Obedecer, A Arte de Escrever e A Arte da Leitura.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a coleção\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eUma coleção para cultivar a vida intelectual\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eCada volume trata de uma dimensão específica da formação humana: falar, aprender, estudar, obedecer, escrever e ler. Juntos, formam um percurso completo para quem deseja pensar e se expressar com mais rigor.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eA Arte de Falar em Público e A Arte de Aprender\u003c\/h3\u003e\n\u003cp\u003eO primeiro desenvolve clareza e segurança na exposição oral; o segundo mostra que aprender exige método, atenção e disposição constante.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eA Arte de Estudar e A Arte de Obedecer\u003c\/h3\u003e\n\u003cp\u003eUm auxilia o leitor a estudar com mais disciplina e organização; o outro reflete sobre a obediência como virtude formativa essencial à ordem interior.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eA Arte de Escrever e A Arte da Leitura\u003c\/h3\u003e\n\u003cp\u003eO primeiro orienta a formação de estilo e clareza na expressão escrita; o segundo introduz o leitor ao hábito de ler com atenção e espírito formativo.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eUma coleção pensada para durar\u003c\/h3\u003e\n\u003cp\u003eOs seis volumes podem ser lidos separadamente, conforme a necessidade de cada leitor, formando ao longo do tempo hábitos intelectuais sólidos.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eEdição\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eCombo\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eItens inclusos\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eA Arte de Falar em Público + A Arte de Aprender + A Arte de Estudar + A Arte de Obedecer + A Arte de Escrever + A Arte da Leitura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eMário Gonçalves Viana\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eGênero\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eEducação \/ Formação Intelectual \/ Linguagem \/ Oratória\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIndicação\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eEstudantes, professores, educadores, escritores, oradores e leitores em formação\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eDúvidas sobre a Coleção Formação Humana\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuais livros fazem parte da coleção?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eA coleção reúne A Arte de Falar em Público, A Arte de Aprender, A Arte de Estudar, A Arte de Obedecer, A Arte de Escrever e A Arte da Leitura, todos de Mário Gonçalves Viana.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem esta coleção é indicada?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara estudantes, professores, pais, educadores, escritores, oradores e leitores que desejam formar hábitos intelectuais sólidos.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eOs livros precisam ser lidos em ordem?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão necessariamente. Cada volume trata de uma dimensão específica da formação humana e intelectual, podendo ser lido separadamente conforme a necessidade do leitor.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO conteúdo é prático ou apenas teórico?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eAs obras têm caráter formativo e prático, apresentando princípios claros e orientações concretas para melhorar a leitura, o estudo, a escrita, a fala e a disciplina pessoal.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eEsta coleção serve também para adultos, não só estudantes?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim. Embora muito útil na formação escolar, os temas — método de estudo, escrita, oratória, obediência como virtude — interessam a qualquer adulto que deseje aprimorar sua vida intelectual.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115336880198,"sku":"33YFMLNQ4","price":339.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/formacaohumana1.jpg?v=1787017333"},{"product_id":"a-arte-de-falar-em-publico-mario-goncalves-viana","title":"A Arte de Falar em Público - Mario Gonçalves Viana","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}\n.cdb-editorial strong{font-weight:500!important}\n.cdb-editorial-intro{max-width:820px;margin:0 0 72px}\n.cdb-editorial-kicker{display:block;margin:0 0 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summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eEducação · Oratória\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eA Palavra Bem Usada é\u003cbr\u003eInstrumento de Liderança\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eMário Gonçalves Viana ensina os fundamentos da oratória clássica e moderna, unindo lógica, emoção e beleza literária para formar discursos que realmente conquistam e convencem.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eDa preparação à apresentação\u003c\/h3\u003e\n\u003cp\u003eO livro percorre todo o processo do discurso: preparação, organização, voz, dicção, gesto e os recursos retóricos que prendem a atenção do público.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eVencendo a timidez\u003c\/h3\u003e\n\u003cp\u003eConselhos práticos ajudam o leitor a superar o nervosismo e ganhar confiança diante de qualquer plateia, do primeiro discurso ao palco profissional.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eParte da coleção clássica do autor\u003c\/h3\u003e\n\u003cp\u003eIntegra a série de Mário Gonçalves Viana ao lado de A Arte de Aprender, A Arte de Estudar e A Arte de Obedecer.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eA oratória como poder de transformação\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eDesde a Grécia antiga até os grandes líderes modernos, a palavra bem usada sempre foi instrumento de ensino, persuasão e liderança. Esta obra recupera essa arte com método, teoria e prática combinados.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eFundamentos teóricos e práticos\u003c\/h3\u003e\n\u003cp\u003eA obra une a história e a importância da oratória a técnicas concretas de expressão, voz, postura e dicção aplicáveis no cotidiano.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003ePreparação de aulas, palestras e discursos\u003c\/h3\u003e\n\u003cp\u003eOrientações objetivas ajudam professores, advogados e líderes a organizar suas exposições com lógica e impacto.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eEstratégias de persuasão\u003c\/h3\u003e\n\u003cp\u003eO livro apresenta recursos retóricos e figuras de linguagem que ajudam o orador a conquistar e manter a atenção do público.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eA responsabilidade ética do orador\u003c\/h3\u003e\n\u003cp\u003eMais do que técnica, a obra reflete sobre o compromisso social de quem usa a palavra para formar consciências e edificar a sociedade.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eEdição\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eMário Gonçalves Viana\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e368\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eBrochura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e14 × 21 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eDúvidas sobre A Arte de Falar em Público\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro é prático ou apenas teórico?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eA obra une teoria e prática: apresenta fundamentos da oratória e técnicas aplicáveis no cotidiano, seja em discursos, aulas ou apresentações.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÉ indicado apenas para quem já fala em público?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. O livro é útil tanto para iniciantes que desejam vencer a timidez quanto para professores, advogados, líderes e palestrantes que querem aperfeiçoar seu estilo.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eEste título faz parte de uma coleção?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim. É uma das obras clássicas de Mário Gonçalves Viana, autor também de A Arte de Aprender, A Arte de Estudar e A Arte de Obedecer.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro ensina a vencer o nervosismo ao falar em público?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim, um dos capítulos é dedicado justamente a conselhos práticos para superar a timidez e o nervosismo diante do público.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eEste livro é útil fora do contexto acadêmico?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim. Os princípios de clareza, organização e persuasão apresentados servem também a profissionais de qualquer área que precisem se comunicar com segurança.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115337044038,"sku":"RY7EXKSUJ","price":59.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/aartedefalarempublico1_d4a7f9b8-8e79-4ef2-a633-b405d02b0f76.jpg?v=1786459971"},{"product_id":"a-arte-de-obedecer-mario-goncalves-viana","title":"A Arte de Obedecer - Mário Gonçalves Viana","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}\n.cdb-editorial strong{font-weight:500!important}\n.cdb-editorial-intro{max-width:820px;margin:0 0 72px}\n.cdb-editorial-kicker{display:block;margin:0 0 18px;font-size:13px;line-height:1.4;font-weight:400!important;letter-spacing:.08em;text-transform:uppercase;color:var(--cdb-gray)}\n.cdb-editorial-title{margin:0;font-size:clamp(36px,5vw,58px);line-height:1.08;letter-spacing:-.045em;font-weight:300!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-lead{max-width:680px;margin:28px 0 0;font-size:18px;line-height:1.65;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-features{display:grid;grid-template-columns:repeat(3,minmax(0,1fr));gap:64px;margin:0 0 120px}\n.cdb-editorial-feature{margin:0;padding:0}\n.cdb-editorial-feature-number{display:block;margin-bottom:18px;font-size:13px;line-height:1;font-weight:400!important;letter-spacing:.08em;color:var(--cdb-light-gray)}\n.cdb-editorial-feature h3{margin:0 0 12px;font-size:20px;line-height:1.3;letter-spacing:-.02em;font-weight:400!important;text-align:left}\n.cdb-editorial-feature p{margin:0;font-size:15px;line-height:1.7;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-section{margin:0 0 120px}\n.cdb-editorial-section-header{max-width:820px;margin:0 0 52px}\n.cdb-editorial-section-label{display:block;margin:0 0 14px;font-size:12px;line-height:1.4;font-weight:400!important;letter-spacing:.1em;text-transform:uppercase;color:var(--cdb-light-gray)}\n.cdb-editorial-section-title{margin:0;font-size:clamp(28px,3.5vw,42px);line-height:1.15;letter-spacing:-.035em;font-weight:300!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-section-intro{max-width:700px;margin:22px 0 0;font-size:17px;line-height:1.7;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-points{display:grid;grid-template-columns:repeat(2,minmax(0,1fr));column-gap:80px;row-gap:64px;max-width:1000px}\n.cdb-editorial-point{margin:0;padding:0}\n.cdb-editorial-point h3{margin:0 0 12px;font-size:20px;line-height:1.35;letter-spacing:-.02em;font-weight:400!important;text-align:left}\n.cdb-editorial-point p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-quotes{display:grid;grid-template-columns:repeat(2,minmax(0,1fr));column-gap:80px;row-gap:72px;max-width:1050px}\n.cdb-editorial-quote{margin:0;padding:0}\n.cdb-editorial-quote blockquote,.cdb-editorial blockquote{margin:0 0 22px!important;padding:0!important;border:0!important;border-left:0!important;border-right:0!important;font-size:17px;line-height:1.75;font-weight:300!important;color:#4e4e4e}\n.cdb-editorial-quote-author{margin:0 0 3px;font-size:15px;line-height:1.4;font-weight:400!important;color:var(--cdb-black)}\n.cdb-editorial-quote-source{margin:0;font-size:13px;line-height:1.5;font-weight:300!important;color:var(--cdb-light-gray)}\n.cdb-editorial-details{margin:0 0 120px;padding:48px 40px;background:var(--cdb-soft)}\n.cdb-editorial-details-inner{display:grid;grid-template-columns:minmax(180px,.7fr) minmax(300px,1.3fr);gap:60px;max-width:1000px;margin:0 auto}\n.cdb-editorial-details-title{margin:0;font-size:24px;line-height:1.25;letter-spacing:-.025em;font-weight:300!important;text-align:left}\n.cdb-editorial-details-grid{display:grid;grid-template-columns:150px 1fr;column-gap:32px;row-gap:14px;align-content:start}\n.cdb-editorial-details-label{font-size:14px;line-height:1.5;font-weight:400!important}\n.cdb-editorial-details-value{font-size:14px;line-height:1.5;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq{max-width:1000px}\n.cdb-editorial-faq details{margin:0;padding:0;border:0!important;border-bottom:1px solid var(--cdb-line)!important;border-radius:0!important;background:transparent!important}\n.cdb-editorial-faq details:first-child{border-top:1px solid var(--cdb-line)!important}\n.cdb-editorial-faq summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eFormação · Educação e Caráter\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eA obediência como fundamento\u003cbr\u003eda civilização\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eTerceiro livro da série de Mário Gonçalves Viana, após A Arte de Aprender e A Arte de Estudar, esta obra resgata a obediência como virtude essencial para a ordem social e a formação do caráter.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eFundamentos históricos e filosóficos\u003c\/h3\u003e\n\u003cp\u003eExplora as bases históricas, filosóficas, psicológicas e pedagógicas que moldaram o conceito de obediência ao longo dos séculos.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eOrientações práticas\u003c\/h3\u003e\n\u003cp\u003eOferece conselhos concretos tanto para subordinados quanto para chefes, tratando de vaidade, autoritarismo e liderança.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eTerceiro de uma tríade formativa\u003c\/h3\u003e\n\u003cp\u003eCompleta a sequência iniciada com A Arte de Aprender e A Arte de Estudar, do mesmo autor.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003eResgatando uma virtude esquecida pela modernidade\u003c\/h2\u003e\n\u003cp class=\"cdb-editorial-section-intro\"\u003eEm tempos de crise moral, marcada por antipatia ao constrangimento e desprezo pelos ideais tradicionais, Mário Gonçalves Viana resgata a obediência como chave para o equilíbrio social.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eFundamentos da obediência\u003c\/h3\u003e\n\u003cp\u003eA primeira parte examina a linguagem, a história, a filosofia e a psicologia por trás do ato de obedecer.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eVariedades de obediência e desobediência\u003c\/h3\u003e\n\u003cp\u003eO autor detalha diferentes formas de obediência, seus perigos e limitações, além das queixas mútuas entre chefes e subordinados.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eQualidades exigíveis aos subordinados\u003c\/h3\u003e\n\u003cp\u003eUma seção prática sobre atitude, comportamento e reações adequadas diante de diferentes tipos de chefia.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eCamaradagem e harmonia profissional\u003c\/h3\u003e\n\u003cp\u003eA obra encerra tratando da deontologia e da carreira profissional, unindo obediência e convivência no ambiente de trabalho.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eEdição\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eMário Gonçalves Viana\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e384\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eBrochura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e14 × 21 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eEdição\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eLançamento 2025\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003ePerguntas sobre A Arte de Obedecer\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003ePor que a obediência é tratada como uma virtude neste livro?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePorque, segundo o autor, ela é fundamental para a sobrevivência da civilização, sustentando a ordem em lares, escolas e sociedades.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eEste livro é apenas para quem exerce liderança?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. A obra trata tanto de quem obedece quanto de quem manda, abordando qualidades e defeitos de subordinados e de chefes.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem é Mário Gonçalves Viana?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eAutor também de A Arte de Aprender e A Arte de Estudar, com os quais esta obra forma uma tríade de formação intelectual e moral.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem este livro é indicado?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara pais, educadores, líderes e qualquer pessoa interessada em preservar a ordem social e moral em meio à indisciplina contemporânea.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro trata apenas de teoria?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão, combina análise histórica e filosófica com orientações práticas para lidar com diferentes tipos de chefes e subordinados.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuantas páginas tem a obra?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003e384 páginas, em capa brochura, no formato 14 × 21 cm.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115338059846,"sku":"DQ7HV8VRT","price":54.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/aartedeobedecer1_478460a3-b5a2-4f01-ac7b-90df855226b1.jpg?v=1786460002"},{"product_id":"a-arte-de-estudar-mario-goncalves-viana","title":"A Arte de Estudar - Mário Gonçalves Viana","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}\n.cdb-editorial strong{font-weight:500!important}\n.cdb-editorial-intro{max-width:820px;margin:0 0 72px}\n.cdb-editorial-kicker{display:block;margin:0 0 18px;font-size:13px;line-height:1.4;font-weight:400!important;letter-spacing:.08em;text-transform:uppercase;color:var(--cdb-gray)}\n.cdb-editorial-title{margin:0;font-size:clamp(36px,5vw,58px);line-height:1.08;letter-spacing:-.045em;font-weight:300!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-lead{max-width:680px;margin:28px 0 0;font-size:18px;line-height:1.65;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-features{display:grid;grid-template-columns:repeat(3,minmax(0,1fr));gap:64px;margin:0 0 120px}\n.cdb-editorial-feature{margin:0;padding:0}\n.cdb-editorial-feature-number{display:block;margin-bottom:18px;font-size:13px;line-height:1;font-weight:400!important;letter-spacing:.08em;color:var(--cdb-light-gray)}\n.cdb-editorial-feature h3{margin:0 0 12px;font-size:20px;line-height:1.3;letter-spacing:-.02em;font-weight:400!important;text-align:left}\n.cdb-editorial-feature 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summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eEducação\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eA arte de estudar bem, com método e propósito\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eMário Gonçalves Viana ensina que estudar não é acumular horas sobre um livro, mas disciplinar a mente, a vontade e o tempo. Um clássico da pedagogia para quem quer transformar o esforço intelectual em fruto real.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eMétodo, não improviso\u003c\/h3\u003e\n\u003cp\u003eO autor rejeita fórmulas superficiais e apresenta o estudo como uma disciplina que se aprende: atenção, memória e vontade trabalhando juntas.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eOrganização do tempo\u003c\/h3\u003e\n\u003cp\u003eGestão prática das horas de estudo, das distrações, do sono e até das férias, para que nenhum momento do dia seja desperdiçado.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eUm dever pessoal e social\u003c\/h3\u003e\n\u003cp\u003eEstudar bem é apresentado como missão que ultrapassa o indivíduo: formar cidadãos conscientes, competentes e moralmente responsáveis.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eUm manual contra a mediocridade intelectual\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eO educador português Mário Gonçalves Viana conduz o leitor por três grandes eixos: o domínio de si mesmo, a organização do ambiente e do tempo, e o aperfeiçoamento das técnicas e hábitos de estudo.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eTreino da atenção e da memória\u003c\/h3\u003e\n\u003cp\u003eTécnicas concretas para fixar conteúdos e manter a concentração diante das inúmeras distrações do dia a dia.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eLeitura e organização de conteúdos\u003c\/h3\u003e\n\u003cp\u003eOrientações sobre como ler com proveito, selecionar o essencial e estruturar o que foi aprendido.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eAulas, provas e concursos\u003c\/h3\u003e\n\u003cp\u003eMétodos aplicáveis à vida escolar e prática, úteis tanto para estudantes quanto para quem prepara concursos.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eO estudo como dever social\u003c\/h3\u003e\n\u003cp\u003eUm chamado à seriedade intelectual, entendendo o saber como instrumento de transformação pessoal e da coletividade.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eFicha técnica\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eMário Gonçalves Viana\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e436\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eBrochura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e14 x 21 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eTire suas dúvidas\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem foi Mário Gonçalves Viana?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eFoi um educador, advogado e pedagogo português, professor e jornalista que colaborou com jornais como A Voz e Diário do Minho, e cujas publicações sobre educação influenciaram universidades em Portugal e no Brasil nas décadas de 1930 e 1940.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem é indicado o livro A Arte de Estudar?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara estudantes de todas as idades, professores e pais que desejam cultivar uma mente disciplinada e métodos de estudo mais eficazes.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro traz técnicas práticas de estudo?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim. A obra aborda treinamento da atenção, da memória e da vontade, técnicas de leitura e organização de conteúdos, gestão do tempo e métodos para aulas, provas e concursos.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro fala sobre gestão do tempo de estudo?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim, o autor dedica atenção especial à organização do tempo, das distrações, do sono e até das férias, mostrando como cada momento pode ser aproveitado com proveito.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuantas páginas tem A Arte de Estudar?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eA edição do Centro Dom Bosco tem 436 páginas, em capa brochura, no formato 14 x 21 cm.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eEste livro serve para quem estuda para concursos?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim. Entre os temas tratados estão métodos aplicáveis a aulas, provas, concursos e à vida prática de quem precisa estudar com regularidade.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é a proposta central do livro?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eMostrar que estudar bem exige método, constância e propósito, e que o esforço intelectual é também um dever pessoal e social, não apenas uma tarefa individual.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115338715206,"sku":"ERBWW4QAB","price":62.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/aartedeestudar1_8344c3d7-48a8-4dc5-8e08-21f3f073358e.jpg?v=1786459872"},{"product_id":"a-arte-de-aprender-mario-goncalves-viana","title":"A arte de aprender - Mário Gonçalves Viana","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}\n.cdb-editorial 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details{margin:0;padding:0;border:0!important;border-bottom:1px solid var(--cdb-line)!important;border-radius:0!important;background:transparent!important}\n.cdb-editorial-faq details:first-child{border-top:1px solid var(--cdb-line)!important}\n.cdb-editorial-faq summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eEducação\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eO caminho para o verdadeiro conhecimento\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eMário Gonçalves Viana revela os princípios fundamentais para um aprendizado eficaz, mostrando que estudar por estudar pouco vale: é preciso saber estudar.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eReflexões essenciais\u003c\/h3\u003e\n\u003cp\u003eO autor parte da inquietação natural do homem em busca do conhecimento para propor princípios sólidos de aprendizagem.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eMemorização inteligente\u003c\/h3\u003e\n\u003cp\u003eApresenta caminhos para memorizar com eficiência, sem reduzir o estudo à simples repetição mecânica.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eDisciplina intelectual\u003c\/h3\u003e\n\u003cp\u003eTrata a disciplina como condição para potencializar os estudos e alcançar o aperfeiçoamento pessoal.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003ePrincípios para um aprendizado eficaz\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eMário Gonçalves Viana oferece reflexões que auxiliam tanto no desenvolvimento intelectual quanto no aperfeiçoamento pessoal de quem deseja aprender de verdade.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eO processo aquisitivo do conhecimento\u003c\/h3\u003e\n\u003cp\u003eO livro descreve como o conhecimento é adquirido de forma progressiva, evitando atalhos que comprometem a real aprendizagem.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eMétodos que aumentam a produtividade\u003c\/h3\u003e\n\u003cp\u003eSão apresentados métodos de estudo voltados a tornar o tempo dedicado aos livros mais produtivo e proveitoso.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eMemorização e disciplina intelectual\u003c\/h3\u003e\n\u003cp\u003eMemorização inteligente e disciplina intelectual são tratadas como aliadas indispensáveis de quem quer aprender bem.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eUm autor com décadas de experiência\u003c\/h3\u003e\n\u003cp\u003eProfessor, advogado e pedagogo português nascido em 1900, Mário Gonçalves Viana influenciou universidades em Portugal e no Brasil nas décadas de 1930 e 1940.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eFicha técnica\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eMário Gonçalves Viana\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e220\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eBrochura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e14 x 21 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eTire suas dúvidas\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual a diferença entre A Arte de Aprender e A Arte de Estudar?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eAmbos são de Mário Gonçalves Viana e tratam de métodos de estudo; A Arte de Aprender concentra-se nos princípios fundamentais do aprendizado eficaz e no aperfeiçoamento pessoal.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem foi Mário Gonçalves Viana?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNascido em 1900, em Portugal, foi professor, advogado, pedagogo e jornalista, colaborador de jornais como A Voz e Diário do Minho, com influência em universidades de Portugal e do Brasil.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro traz técnicas de memorização?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim, um dos temas centrais é a memorização inteligente e eficiente como parte do processo de aprendizagem.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem este livro é indicado?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara estudantes e todos que desejam aperfeiçoar seus estudos e elevar sua busca pelo conhecimento, com base em princípios sólidos de aprendizagem.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuantas páginas tem A Arte de Aprender?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eA edição do Centro Dom Bosco tem 220 páginas, em capa brochura, no formato 14 x 21 cm.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro fala sobre disciplina intelectual?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim, a disciplina intelectual é apresentada como caminho para potencializar os estudos e aperfeiçoar o processo de aprendizagem.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e\n","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115340419142,"sku":"82VCRFQQN","price":62.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/aartedeaprender1_6fbef31b-a695-477f-9446-b571021e80e5.jpg?v=1786459608"},{"product_id":"combo-poemas-sergio-de-carvalho-pacha","title":"Combo Poemas - Sergio de Carvalho 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summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003ePoesia · Sergio de Carvalho Pachá\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eDois livros, uma só voz poética\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eUm combo que reúne \u003cstrong\u003eMorte em Lisboa\u003c\/strong\u003e e \u003cstrong\u003ePoesia Traduzida\u003c\/strong\u003e, as duas antologias em que o lexicógrafo Sergio de Carvalho Pachá põe em versos a busca pelo bem e pela verdade — em português e em tradução.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eTrajetória em versos\u003c\/h3\u003e\n\u003cp\u003eMorte em Lisboa reúne poemas de juventude, amor, decepção e elevação espiritual, conduzindo o leitor por um percurso de contemplação da vida humana.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003ePoesia sem fronteiras\u003c\/h3\u003e\n\u003cp\u003ePoesia Traduzida verte para o português obras de seis idiomas — galego, espanhol, italiano, francês, inglês e latim — de canções medievais a clássicos da Roma antiga.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eDomínio da língua\u003c\/h3\u003e\n\u003cp\u003eSergio de Carvalho Pachá, ex-Lexicógrafo-Chefe da Academia Brasileira de Letras, maneja com raro rigor as formas clássicas: soneto italiano, epitáfio, esparsa e outras.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eDuas antologias, um mesmo espírito\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eO combo reúne a poesia autoral e a poesia traduzida de um mesmo autor, formado nas letras clássicas e na tradição literária ocidental.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eMorte em Lisboa\u003c\/h3\u003e\n\u003cp\u003eDa nostalgia da infância à sátira, do amor à descrença, até poemas de alta elevação espiritual: uma antologia que acompanha os altos e baixos de uma vida vivida em busca do bem.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003ePoesia Traduzida\u003c\/h3\u003e\n\u003cp\u003eUma coletânea de traduções de seis línguas — galego, espanhol, italiano, francês, inglês e latim — que aproxima o leitor brasileiro de jóias poéticas raramente acessíveis em português.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eO autor\u003c\/h3\u003e\n\u003cp\u003eSergio de Carvalho Pachá é escritor, tradutor, pesquisador e foi Lexicógrafo-Chefe da Academia Brasileira de Letras, com domínio pouco comum da língua portuguesa e da tradição literária clássica.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eFormas clássicas\u003c\/h3\u003e\n\u003cp\u003eOs poemas percorrem o soneto italiano, o epitáfio, a esparsa, as redondilhas, a terza rima, o verso livre e o poema em prosa, em diálogo constante com Camões e a tradição lusófona.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eEm suas palavras\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eO que a poesia ensina\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-quotes\"\u003e\n      \u003cdiv class=\"cdb-editorial-quote\"\u003e\n\u003cblockquote\u003e“ela sempre nos deu e não cessará de dar: aprender sobre si e aprender a viver e a morrer”\u003c\/blockquote\u003e\n\u003cp class=\"cdb-editorial-quote-author\"\u003eSergio de Carvalho Pachá\u003c\/p\u003e\n\u003cp class=\"cdb-editorial-quote-source\"\u003eSobre Morte em Lisboa\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eFicha técnica\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eSergio de Carvalho Pachá\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eItens inclusos\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eMorte em Lisboa e Poesia Traduzida\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e100 (Morte em Lisboa) + 307 (Poesia Traduzida)\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eDura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e14 x 21 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês (com poemas traduzidos de 6 idiomas)\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eDúvidas sobre o combo de poemas\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eO que vem no Combo Poemas de Sergio de Carvalho Pachá?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eO combo reúne dois livros do autor: \u003cstrong\u003eMorte em Lisboa\u003c\/strong\u003e, antologia de poesia autoral, e \u003cstrong\u003ePoesia Traduzida\u003c\/strong\u003e, coleção de traduções poéticas de seis idiomas para o português.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem é Sergio de Carvalho Pachá?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eÉ escritor, tradutor, pesquisador e lexicógrafo, tendo ocupado o cargo de Lexicógrafo-Chefe da Academia Brasileira de Letras. Sua obra poética dialoga de perto com a tradição literária ocidental.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eSobre o que é o livro Morte em Lisboa?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eÉ uma antologia que reúne poemas de diferentes fases da vida do autor — de juventude, de amor, de descrença e de elevação espiritual —, formando um retrato da existência humana em busca do bem e da verdade.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuais idiomas são traduzidos em Poesia Traduzida?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eA obra traz poemas vertidos do galego, espanhol, italiano, francês, inglês e latim, cobrindo desde canções medievais até clássicos da Roma antiga e autores modernos.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQue formas poéticas aparecem nos livros?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eO leitor encontra soneto italiano, epitáfio, esparsa, redondilhas, terza rima, verso livre, poema em prosa e até uma glosa a mote alheio, sempre em diálogo com a tradição lusófona, especialmente Camões.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eOs livros são indicados para quem não lê poesia com frequência?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim. A variedade de temas, formas e épocas torna a leitura acessível, servindo tanto para quem busca contemplação espiritual quanto para estudantes de literatura e línguas.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual o acabamento dos livros do combo?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eAmbos os títulos são publicados em capa dura, no formato 14 x 21 cm, com Morte em Lisboa somando 100 páginas e Poesia Traduzida, 307 páginas.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default 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details{margin:0;padding:0;border:0!important;border-bottom:1px solid var(--cdb-line)!important;border-radius:0!important;background:transparent!important}\n.cdb-editorial-faq details:first-child{border-top:1px solid var(--cdb-line)!important}\n.cdb-editorial-faq summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eEducação · Napoleão Mendes de Almeida\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eA gramática latina que forma o raciocínio, não só a memória\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eUma obra de referência para o estudo do latim no Brasil, em que Napoleão Mendes de Almeida ensina não apenas a língua morta, mas o rigor de pensamento que ela desperta.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eDisciplina da inteligência\u003c\/h3\u003e\n\u003cp\u003eO estudo do latim exige análise, observação e raciocínio — exercícios que, segundo o autor, poucas outras disciplinas oferecem com a mesma intensidade.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eReferência consagrada\u003c\/h3\u003e\n\u003cp\u003eNapoleão Mendes de Almeida é uma das maiores autoridades em língua latina e portuguesa no Brasil, e esta gramática é obra de consulta obrigatória para estudantes sérios.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eEdição robusta\u003c\/h3\u003e\n\u003cp\u003eCapa dura, 720 páginas e formato 16 x 23 cm, feita para acompanhar anos de estudo sem se desgastar.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eO latim como escola do pensamento\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eMais que um manual de regras, esta gramática defende o estudo do latim como treino do intelecto — e apresenta, com metodologia clara, toda a estrutura da língua que fundou o pensamento ocidental.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eUm método que exige atenção\u003c\/h3\u003e\n\u003cp\u003eO autor observa que o aluno desatento raramente compreende o valor formativo do latim — mas quem se dedica descobre nas flexões e construções latinas um exercício constante de análise.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eFormação do espírito crítico\u003c\/h3\u003e\n\u003cp\u003eEstudar latim, para Napoleão Mendes de Almeida, é acostumar-se à calma, à ponderação e à concentração — qualidades que ele considera indispensáveis a qualquer homem de ciência.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eAutoridade reconhecida\u003c\/h3\u003e\n\u003cp\u003eNapoleão Mendes de Almeida é referência nacional em gramática latina e portuguesa, autor de obras adotadas há décadas por escolas, seminários e cursos de letras clássicas.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eUma disciplina obrigatória nos países civilizados\u003c\/h3\u003e\n\u003cp\u003eO autor lembra que o latim foi, por séculos, disciplina obrigatória nos países de tradição culta — não por tradição vazia, mas pelo valor formativo insubstituível que oferece ao espírito.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eEm suas palavras\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003ePor que estudar latim\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-quotes\"\u003e\n      \u003cdiv class=\"cdb-editorial-quote\"\u003e\n\u003cblockquote\u003e“O hábito da análise, o espírito de observação, a educação do raciocínio dificilmente podemos, pobres professores, conseguir de um estudante preocupado tão só com médias, com férias, com bolas, com revistas.”\u003c\/blockquote\u003e\n\u003cp class=\"cdb-editorial-quote-author\"\u003eNapoleão Mendes de Almeida\u003c\/p\u003e\n\u003cp class=\"cdb-editorial-quote-source\"\u003eIntrodução à Gramática Latina\u003c\/p\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-quote\"\u003e\n\u003cblockquote\u003e“Para aguçar seu intelecto, para tornar-se mais observador, para aperfeiçoar-se no poder de concentração de espírito, para obrigar-se à atenção, para desenvolver o espírito de análise [...] é que o aluno estuda esse idioma.”\u003c\/blockquote\u003e\n\u003cp class=\"cdb-editorial-quote-author\"\u003eNapoleão Mendes de Almeida\u003c\/p\u003e\n\u003cp class=\"cdb-editorial-quote-source\"\u003eIntrodução à Gramática Latina\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eFicha técnica\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eNapoleão Mendes de Almeida\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e720\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eDura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e16 x 23 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eDúvidas sobre a Gramática Latina\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem é indicada esta Gramática Latina?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara estudantes de latim, seminaristas, professores e todo leitor que deseje aprender a língua com rigor, a partir de uma obra de referência no Brasil.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem foi Napoleão Mendes de Almeida?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eUm dos maiores gramáticos brasileiros, autor de obras de referência em latim e português, adotadas por décadas em escolas e cursos de letras clássicas.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro é indicado para iniciantes no latim?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim, mas exige dedicação: o método é completo e progressivo, formando o aluno desde os fundamentos até as construções mais complexas do idioma.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePor que estudar latim, segundo o autor?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePorque a disciplina exige análise, observação e concentração — exercícios que, segundo Napoleão Mendes de Almeida, poucas outras matérias oferecem com a mesma intensidade formativa.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é o acabamento da obra?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eCapa dura, no formato 16 x 23 cm, com 720 páginas — uma edição pensada para durar e acompanhar anos de estudo.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro traz apenas regras gramaticais?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. Além da gramática completa, a obra reflete sobre o valor formativo do estudo do latim para a inteligência e o caráter do estudante.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115361882182,"sku":"L6K98UR5K","price":209.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/gramaticalatina1_9eb56fde-83ee-4a1b-b82f-1a8911a21d89.jpg?v=1786465451"},{"product_id":"gramatica-metodica-da-lingua-portuguesa-capa-dura-napoleao-mendes-de-almeida","title":"Gramática Metódica da Língua Portuguesa - Napoleão Mendes de 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summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eEducação · Napoleão Mendes de Almeida\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eA gramática que ensina a pensar em português\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eUma das obras mais completas da tradição gramatical brasileira: Napoleão Mendes de Almeida reúne, com método e clareza, tudo o que é necessário para escrever, interpretar e dominar a língua portuguesa.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eMétodo, não vitrine\u003c\/h3\u003e\n\u003cp\u003eO autor rejeita a gramática que apenas expõe regras como mercadoria; propõe, em vez disso, uma exposição clara e raciocinada do idioma.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eDefesa da língua nacional\u003c\/h3\u003e\n\u003cp\u003eA obra defende que conhecer bem o português é dever cívico de todo brasileiro, não privilégio de gramáticos ou escritores profissionais.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eEdição robusta\u003c\/h3\u003e\n\u003cp\u003eCapa dura, 768 páginas e formato 16 x 23 cm, feita para durar como obra de consulta permanente.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eSimplicidade e erudição a serviço do idioma\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eNapoleão Mendes de Almeida constrói uma gramática que une rigor científico e clareza didática, apresentando o melhor da língua portuguesa já lapidado, pronto para o uso — sem abrir mão da precisão que o idioma exige.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eUma gramática que ensina, não decora\u003c\/h3\u003e\n\u003cp\u003eO autor critica gramáticas que se limitam a expor regras desconexas, propondo em seu lugar um raciocínio simples e claro sobre a estrutura da língua.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eDiamante já lapidado\u003c\/h3\u003e\n\u003cp\u003eSegundo o próprio autor, a boa gramática apresenta ao aluno o melhor do idioma já despojado de impurezas — pronto para ser usado com segurança.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eSaber escrever é dever cívico\u003c\/h3\u003e\n\u003cp\u003eA obra defende que dominar a própria língua não é tarefa apenas de escritores profissionais, mas responsabilidade de todo brasileiro consciente.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eAutoridade consagrada\u003c\/h3\u003e\n\u003cp\u003eNapoleão Mendes de Almeida é uma das maiores referências em gramática portuguesa no Brasil, com obras adotadas há décadas em escolas e cursos de letras.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eEm suas palavras\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eA língua como expressão da nacionalidade\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-quotes\"\u003e\n      \u003cdiv class=\"cdb-editorial-quote\"\u003e\n\u003cblockquote\u003e“Boa é a gramática que, numa mistura de simplicidade e erudição, expõe com raciocínios simples e termos chãos o que de melhor existe no terreno de nosso idioma.”\u003c\/blockquote\u003e\n\u003cp class=\"cdb-editorial-quote-author\"\u003eNapoleão Mendes de Almeida\u003c\/p\u003e\n\u003cp class=\"cdb-editorial-quote-source\"\u003eIntrodução à Gramática Metódica\u003c\/p\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-quote\"\u003e\n\u003cblockquote\u003e“A língua é a mais viva expressão da nacionalidade. Como havemos de querer que respeitem a nossa nacionalidade se somos os primeiros a descuidar daquilo que a exprime e representa, o idioma pátrio?”\u003c\/blockquote\u003e\n\u003cp class=\"cdb-editorial-quote-author\"\u003eNapoleão Mendes de Almeida\u003c\/p\u003e\n\u003cp class=\"cdb-editorial-quote-source\"\u003eIntrodução à Gramática Metódica\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eFicha técnica\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eNapoleão Mendes de Almeida\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e768\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eDura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e16 x 23 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eDúvidas sobre a Gramática Metódica\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem é indicada esta Gramática Metódica?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara estudantes, professores, escritores e todo leitor que deseje dominar a língua portuguesa com rigor e clareza, a partir de uma obra de referência no Brasil.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem foi Napoleão Mendes de Almeida?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eUm dos maiores gramáticos brasileiros, autor de obras de referência em português e latim, adotadas por décadas em escolas e cursos de letras.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro é indicado para quem já domina o português?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim. Além de servir como manual de consulta, a obra aprofunda pontos que escapam mesmo a falantes experientes, com rigor e riqueza de exemplos.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é a proposta do autor para o ensino da gramática?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eEnsinar de forma simples e raciocinada, evitando tanto o acúmulo de regras soltas quanto a superficialidade — sempre com base no melhor uso do idioma.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é o acabamento da obra?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eCapa dura, no formato 16 x 23 cm, com 768 páginas — uma edição pensada para durar como obra de consulta permanente.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO livro aborda apenas regras gramaticais?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. A obra também reflete sobre a importância do domínio da língua portuguesa como expressão da identidade nacional.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115361980486,"sku":"EBATCLPQF","price":209.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/gramaticaportuguesa1_28eb6be6-70c8-4799-9e49-6a2291539449.jpg?v=1786465482"},{"product_id":"combo-gramaticas-do-napoleao-mendes-de-almeida-2-livros-capa-dura","title":"Combo Gramáticas do Napoleão Mendes de Almeida (2 livros)","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}\n.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}\n.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}\n.cdb-editorial strong{font-weight:500!important}\n.cdb-editorial-intro{max-width:820px;margin:0 0 72px}\n.cdb-editorial-kicker{display:block;margin:0 0 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summary{display:flex;align-items:center;justify-content:space-between;gap:30px;padding:20px 0;cursor:pointer;list-style:none;font-size:16px;line-height:1.45;font-weight:400!important;text-align:left;color:var(--cdb-black)}\n.cdb-editorial-faq summary::-webkit-details-marker{display:none}\n.cdb-editorial-faq summary::after{content:\"+\";flex:0 0 auto;font-size:20px;line-height:1;font-weight:300!important;color:var(--cdb-gray)}\n.cdb-editorial-faq details[open] summary::after{content:\"\\2212\"}\n.cdb-editorial-faq-answer{max-width:760px;padding:0 0 24px}\n.cdb-editorial-faq-answer p{margin:0;font-size:15px;line-height:1.75;font-weight:300!important;color:var(--cdb-gray)}\n@media screen and (max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eCombo · 2 livros · Napoleão Mendes de Almeida\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eO método clássico para dominar o latim e o português com rigor\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eDuas obras fundamentais do maior gramático brasileiro do século XX, reunidas em capa dura para quem busca escrever, interpretar e pensar com precisão — sem simplificações modernas.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eFormação intelectual sólida\u003c\/h3\u003e\n\u003cp\u003eDuas obras fundamentais para desenvolver atenção, análise e domínio real da linguagem.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eMétodo consagrado\u003c\/h3\u003e\n\u003cp\u003eO ensino de Napoleão Mendes de Almeida forma leitores e escritores capazes, com rigor e clareza.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eEdição definitiva\u003c\/h3\u003e\n\u003cp\u003eLivros em capa dura, feitos para estudo sério e duradouro.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003eSobre o combo\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eUm método que exige esforço — e por isso forma de verdade\u003c\/h2\u003e\n      \u003cp class=\"cdb-editorial-section-intro\"\u003eAo contrário de abordagens superficiais, estas obras exigem dedicação: são densas, completas e sem atalhos, mas é exatamente esse rigor que forma verdadeiramente o aluno na língua portuguesa e no latim.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eGramática Metódica da Língua Portuguesa\u003c\/h3\u003e\n\u003cp\u003eUma das obras mais completas da tradição didática brasileira — tudo o que é necessário para escrever, compreender e dominar o idioma com clareza, em 768 páginas.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eGramática Latina\u003c\/h3\u003e\n\u003cp\u003eO estudo do latim como instrumento de formação intelectual: disciplina, precisão e capacidade de análise, em 720 páginas.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eAutoria de Napoleão Mendes de Almeida\u003c\/h3\u003e\n\u003cp\u003eAs duas obras são assinadas pelo mesmo autor, garantindo coerência metodológica entre o estudo do português e o do latim.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eIndicado para quem aceita o desafio\u003c\/h3\u003e\n\u003cp\u003eÉ indicado mesmo para iniciantes, desde que dispostos à dedicação — o método é profundo e formativo, sem concessões à superficialidade.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eFicha técnica\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eItens\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eGramática Metódica da Língua Portuguesa + Gramática Latina\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eNapoleão Mendes de Almeida\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e768 + 720 = 1.488\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eDura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e16 x 23 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n      \u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\n      \u003ch2 class=\"cdb-editorial-section-title\"\u003eDúvidas sobre o Combo Gramáticas do Napoleão Mendes de Almeida\u003c\/h2\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuais livros fazem parte do combo?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eGramática Metódica da Língua Portuguesa e Gramática Latina, ambas de Napoleão Mendes de Almeida, em capa dura.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem foi Napoleão Mendes de Almeida?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eUm dos mais respeitados gramáticos e filólogos brasileiros, autor de obras de referência para o ensino do português e do latim.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eO combo é indicado para iniciantes?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eSim, mas exige dedicação. O método é profundo e formativo, sem simplificações — por isso forma verdadeiramente o aluno.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é o diferencial dessas gramáticas?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eRigor, clareza e completude, seguindo a tradição didática clássica, sem as simplificações comuns em obras modernas.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem é indicado este combo?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara estudantes, professores, tradutores e todo leitor que deseja aprofundar o domínio da língua portuguesa e do latim.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é o acabamento dos livros?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eAmbos em capa dura, no formato 16 x 23 cm, somando 1.488 páginas (768 da Gramática Portuguesa e 720 da Gramática Latina).\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46115369713734,"sku":"GWEZFP7PT","price":389.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/combogramaticas1_01f1b472-84f9-4ca9-b476-8e72fcdb04c1.jpg?v=1786465227"},{"product_id":"antologia-remissiva-ii-napoleao-mendes-de-almeida","title":"Antologia Remissiva II - Napoleão Mendes de Almeida","description":"\u003cstyle\u003e.cdb-editorial{--cdb-black:#171717;--cdb-gray:#666666;--cdb-light-gray:#999999;--cdb-line:#e8e8e6;--cdb-soft:#f6f6f4;width:100%;max-width:100%;margin:0;padding:0;color:var(--cdb-black);background:transparent;font-family:\"Inter\",sans-serif!important;font-size:16px;font-weight:300!important;line-height:1.7;box-sizing:border-box}.cdb-editorial *,.cdb-editorial *::before,.cdb-editorial *::after{box-sizing:border-box;font-family:\"Inter\",sans-serif!important}.cdb-editorial p,.cdb-editorial h1,.cdb-editorial h2,.cdb-editorial h3,.cdb-editorial h4{margin-top:0}.cdb-editorial strong{font-weight:500!important}.cdb-editorial-intro{max-width:820px;margin:0 0 72px}.cdb-editorial-kicker{display:block;margin:0 0 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(max-width:749px){.cdb-editorial{font-size:15px}.cdb-editorial-intro{margin-bottom:58px}.cdb-editorial-title{font-size:36px}.cdb-editorial-lead{font-size:16px}.cdb-editorial-features{grid-template-columns:1fr;gap:42px;margin-bottom:82px}.cdb-editorial-section{margin-bottom:82px}.cdb-editorial-section-header{margin-bottom:38px}.cdb-editorial-section-title{font-size:29px}.cdb-editorial-section-intro{font-size:16px}.cdb-editorial-points{grid-template-columns:1fr;row-gap:42px}.cdb-editorial-quotes{grid-template-columns:1fr;row-gap:48px}.cdb-editorial-details{margin-bottom:82px;padding:36px 24px}.cdb-editorial-details-inner{grid-template-columns:1fr;gap:30px}.cdb-editorial-details-grid{grid-template-columns:120px 1fr;column-gap:20px;row-gap:12px}.cdb-editorial-faq summary{padding:18px 0;font-size:15px}.cdb-editorial-faq-answer{padding-bottom:20px}}\u003c\/style\u003e\n\u003cdiv class=\"cdb-editorial\"\u003e\n  \u003csection class=\"cdb-editorial-intro\"\u003e\n    \u003cspan class=\"cdb-editorial-kicker\"\u003eEducação · Língua Portuguesa\u003c\/span\u003e\n    \u003ch1 class=\"cdb-editorial-title\"\u003eO método que leva você mais fundo\u003cbr\u003eno domínio do português.\u003c\/h1\u003e\n    \u003cp class=\"cdb-editorial-lead\"\u003eNapoleão Mendes de Almeida avança no método interativo da Antologia Remissiva: agora com textos mais complexos, aprofundando a leitura, a gramática e a análise estilística para quem já deu os primeiros passos na língua portuguesa.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-features\"\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e01\u003c\/span\u003e\u003ch3\u003eLeitura dos clássicos\u003c\/h3\u003e\n\u003cp\u003eO leitor avança por excertos de grandes escritores da língua portuguesa, fazendo da boa literatura o ponto de partida para o domínio do idioma.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e02\u003c\/span\u003e\u003ch3\u003eGramática aplicada\u003c\/h3\u003e\n\u003cp\u003eOs textos remetem diretamente aos tópicos da Gramática Metódica da Língua Portuguesa, unindo leitura atenta, análise gramatical e compreensão efetiva da língua.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-feature\"\u003e\n\u003cspan class=\"cdb-editorial-feature-number\"\u003e03\u003c\/span\u003e\u003ch3\u003eNível avançado\u003c\/h3\u003e\n\u003cp\u003eEste segundo volume apresenta textos de maior complexidade e exige mais maturidade intelectual, aprofundando a análise sintática, estilística e vocabular.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eSobre a obra\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003ePara quem já domina o básico e quer avançar\u003c\/h2\u003e\n\u003cp class=\"cdb-editorial-section-intro\"\u003eEnquanto o primeiro volume trabalha textos mais acessíveis, este segundo volume avança: excertos mais exigentes, aprofundamento em sintaxe, estilo e vocabulário, sem abandonar o método de perguntas e respostas que caracteriza a Antologia Remissiva.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-points\"\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eLeitura como verdadeira escola da língua\u003c\/h3\u003e\n\u003cp\u003eNapoleão parte da convicção de que o português deve ser aprendido pelo contato com autores de reconhecida cultura, experiência e domínio da linguagem, não apenas por exercícios mecânicos ou regras isoladas.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eRemissões para a Gramática Metódica\u003c\/h3\u003e\n\u003cp\u003eA obra conecta os trechos literários aos tópicos gramaticais correspondentes, permitindo ao estudante ver a regra funcionando dentro de construções reais e bem escritas.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eAnálise mais profunda que no primeiro volume\u003c\/h3\u003e\n\u003cp\u003eEnquanto o volume inicial trabalha textos mais acessíveis, este segundo volume oferece excertos mais exigentes e aprofunda sintaxe, estilo, vocabulário e interpretação, preservando o método de perguntas e respostas sobre os textos.\u003c\/p\u003e\u003c\/article\u003e\n      \u003carticle class=\"cdb-editorial-point\"\u003e\u003ch3\u003eFormação linguística e cultural\u003c\/h3\u003e\n\u003cp\u003eAlém de ensinar português, a seleção procura aproximar o aluno do que há de permanente na vida, profundo na experiência, erudito na exposição, belo na forma e sério no conteúdo.\u003c\/p\u003e\u003c\/article\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-details\"\u003e\n    \u003cdiv class=\"cdb-editorial-details-inner\"\u003e\n      \u003cdiv\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003eEdição\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-details-title\"\u003eDetalhes do\u003cbr\u003eProduto\u003c\/h2\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"cdb-editorial-details-grid\"\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eAutor\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eNapoleão Mendes de Almeida\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003ePáginas\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e256\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eCapa\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003eCapa dura\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eTamanho\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003e16 × 23 cm\u003c\/div\u003e\n        \u003cdiv class=\"cdb-editorial-details-label\"\u003eIdioma\u003c\/div\u003e\n\u003cdiv class=\"cdb-editorial-details-value\"\u003ePortuguês\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"cdb-editorial-section\"\u003e\n    \u003cdiv class=\"cdb-editorial-section-header\"\u003e\n\u003cspan class=\"cdb-editorial-section-label\"\u003ePerguntas frequentes\u003c\/span\u003e\u003ch2 class=\"cdb-editorial-section-title\"\u003eTudo sobre a Antologia Remissiva II\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cdb-editorial-faq\"\u003e\n      \u003cdetails\u003e\u003csummary\u003eSobre o que fala o livro Antologia Remissiva II?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eÉ a continuação do método interativo da Antologia Remissiva: o aluno estuda a língua portuguesa a partir de excertos de grandes escritores clássicos, desenvolvendo vocabulário, interpretação, análise gramatical e sensibilidade para o estilo.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é a diferença em relação à Antologia Remissiva I?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eEste segundo volume apresenta excertos mais complexos e pressupõe maior maturidade intelectual e domínio gramatical. A análise sintática e estilística é aprofundada, mantendo o método de perguntas e respostas diretas sobre os textos.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eA obra serve apenas para estudar gramática?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eNão. Além da gramática, a Antologia Remissiva II amplia o vocabulário, desenvolve a interpretação e oferece formação cultural por meio do contato com textos literários de alto nível.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQuem foi Napoleão Mendes de Almeida?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eProfessor e latinista brasileiro de rara erudição, dedicou a vida ao ensino rigoroso da língua portuguesa, tornando-se referência obrigatória para filólogos, sacerdotes e escritores.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003ePara quem este segundo volume é indicado?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003ePara estudantes que já possuem alguma base gramatical e desejam avançar no domínio da língua portuguesa por meio de leitura atenta, análise sintática, estudo de vocabulário e observação do estilo de autores clássicos.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eQual é o diferencial desta edição?\u003c\/summary\u003e\u003cdiv class=\"cdb-editorial-faq-answer\"\u003e\u003cp\u003eAlém da qualidade editorial da edição CDB, o livro reúne excertos mais exigentes, remissões à Gramática Metódica da Língua Portuguesa e o método de perguntas e respostas, aprofundando leitura, sintaxe e vocabulário num só percurso avançado.\u003c\/p\u003e\u003c\/div\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","brand":"Centro Dom Bosco","offers":[{"title":"Default Title","offer_id":46483953745990,"sku":"R3YRGWFBY","price":79.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0740\/5253\/4342\/files\/antologiaremissivaii1.jpg?v=1788964698"}],"url":"https:\/\/loja.centrodombosco.org\/collections\/linguagem.oembed","provider":"Loja Centro Dom Bosco®","version":"1.0","type":"link"}